The Incredible Book Eating Boy, by Oliver Jeffers

THE INCREDIBLE BOOK EATING BOY

by Oliver Jeffers

Henry is a little boy who loves books. He doesn't read them, however; he eats them. He eats all kinds of books, but red ones are his favourite. The more books he eats, the cleverer he becomes. He wants to become the cleverest person in the world, so he eats three or four books at a time. Eventually, of course, Henry starts to feel ill. What's more, he has been eating books so quickly that the things he has been learning get mixed up.

All sorts of experts tell Henry that he must give up eating books. At first he feels sad, but then he picks up a half-eaten book and starts to read it. He enjoys it so much that he realises he could become the cleverest person in the world by reading book after book. So this is what he does, but every so often he can't resist nibbling the corner of a page.

Oliver Jeffers has created a totally original story in “The Incredible Book Eating Boy”. It is highly imaginative and full of humour that both adults and children will appreciate. The illustration on the title page of Henry with a pile of seven books cramming his wide-open jaw gives a taste of what is to come. Further on, Henry juggles with books and catches one in his mouth. He imagines taking part in a quiz show and being adorned with a huge gold medal for being the smartest person on Earth. It's the stuff of dreams.

The text of “The Incredible Book Eating Boy” looks as though it has come from an old typewriter, and occasionally hand-written words are inserted. While this sounds a little strange, it does in fact suit the eccentric style of the book. The text is superimposed on the illustrations, and sometimes the background is a little dark. Most pages have only a small amount of text, so young children who do not have a huge attention span will not get bored. The adult readers and slightly older children, however, will get quite a bit of amusement from the little extras that Jeffers has included. When Henry is eating so many books that information in his brain is getting confused, for example, Jeffers gives the example 2 + 6 = elephant.

Oliver Jeffers' illustrations for “The Incredible Book Eating Boy” are unusual to say the least. Backgrounds are predominantly beige or brown and look as though they have been painted on pages of old notebooks. Sometimes ruled lines and squares are visible. Most of the characters are illustrated in a much more colourful way than the backgrounds, so the overall effect is not too dismal. Apart from the colour, however, the drawings are quirky and amusing. Jeffers shows Henry with letters getting mixed up inside his brain, and then presents a picture of him with a bulging tummy crammed full of books. In two of the illustrations, enormous books with faces, arms and legs confront Henry; one of them chases him and threatens to eat him. The final mention that Henry still nibbles pages from time to time is brought home by the fact that the bottom corner of the last page actually has a piece missing from it.

While “The Incredible Book Eating Boy” may not be the ideal choice for young children who are obsessed with princesses or fairies, its originality and humour will appeal to many listeners and readers. As a read-aloud picture book, three and a half might be a suitable starting age. For independent reading, children up to at least eight years of age are likely to enjoy the story as it is not a childish one. Jeffers has come up with a book that young readers are sure to remember and want to read to their own children when they grow up. It is definitely worth borrowing a copy from the library, but the chances are most families will want a copy of their own to keep.

The Incredible Book Eating Boy

by Oliver Jeffers

Paperback, 32 pages

Harper Collins Children's Books, 2009

ISBN 9780007182312

Clown, by Quentin Blake

'Clown' is a picture book – that and only that, as it consists solely of pictures without text. It tells the story of a clown that is dumped in a dustbin along with other unwanted toys. Managing to escape, he is befriended by a little girl, but her mother is less than impressed when she takes him home. She throws him out of the window and he is chased by a dog. Things seem to be going from bad to worse when the dog's thug of an owner tosses him right up into the air. He is in luck, however, as he flies through the window of a poverty-stricken family. After helping the daughter with the chores, he takes her out with her baby brother in a pram to the dustbin where they retrieve the rest of the toys.

I first came to love the illustrations of Quentin Blake through the novels of Roald Dahl that my sons read when they were growing up. I have enjoyed some of his illustrated stories such as 'Mister Magnolia' and 'Mrs Armitage, Queen of the Road', but 'Clown' is the first book of his I have come across that is composed purely of illustrations. Blake has a sketchy, exaggerated style of drawing that may not be to everyone's cup of tea but usually conveys more than enough humour to make it appealing.

In 'Clown', the illustrations are all in full colour; sometimes they fill an entire page with a border, and sometimes they are smaller sketches showing a sequence of events across the page. Blake uses a wide variety of hues in his watercolours, yet they have a subtlety about them. There is, however, one gorgeous full-page picture where the clown, clutching flowers, follows the girl pushing the pram filled with toys and her baby brother. The sky is a shocking pink behind the grey silhouettes of tower blocks and a church spire. The baby, with a wide smile, leans forward in anticipation while the girl is turning back to make sure the clown is keeping up with her. Back home, Blake shows the toys all lined up on the bed; in the same room the table is laid and potatoes are being served in a pan. The iron bedstead, bare light bulb and peeling paint tell us this is a struggling family, yet mum is full of smiles and kisses when she comes home. It is a far cry from the home of the poor little rich girl who rescued the clown earlier; there the room was crammed with ornaments, mirrors and fancy furniture, but there was no appreciation of the clown. Neither did mum seem to care about her daughter's feelings.

'Clown' is a book that could be shared by an adult and a young child in much the same way as a picture book that includes text. If the child is very young, the adult could tell the story as they turn the pages, but a slightly older child could be encouraged to describe what is happening in the illustrations. This would be an excellent way of developing narrative skills, or even basic verbal expression. On the other hand, children that are not yet able to read could enjoy this book alone, following the story without feeling they are missing out on something because they cannot decipher a text.

My own experience of 'Clown' is with pre-school children, but I can see the book being used with children of primary-school age who could write their own text to accompany the pictures. I don't think they would find it too childish; in fact the humour would no doubt attract their interest. It could be an ideal resource for writing character descriptions and dialogue as well as narrative.

'Clown' won the International Bologna Ragazzi Award in 1996. It is not hard to see why. I would recommend it for children of three up to six or seven, older if is used as an inspiration for creative writing.

Clown

by Quentin Blake

Paperback, 32 pages

Red Fox, 1998

ISBN 9780099493617

Price £5.99 (Amazon £4.02)

Captain Flinn and the Pirate Dinosaurs: Missing Treasure, by Giles Andreae and Russell Ayto

Flinn, a seemingly ordinary boy who likes pirates and dinosaurs, is on a school trip to see dinosaur skeletons at a museum. He and his friends are in awe of the huge skeleton of the giganotosaurus, which the guide tells them was even mightier than Tyrannosaurus Rex. They are also intrigued when the guide shows them an empty glass case from which Captain Rufus Rumblebelly's treasure was stolen the night before.

Flinn and friends follow a trail of feathers and gold coins, thinking that it might hold a clue to the treasure. It leads them into a dark cupboard and, surprise surprise, the back of the cupboard falls away. The children find themselves in the cabin of a pirate ship where Rumblebelly's grandson, Gordon Gurgleguts, has been tied up and left. He admits to having taken the treasure from the museum, but it was then stolen from him.

Gurgleguts appoints Flinn as captain of the ship, and off they set to Bag o' Bones Island in search of the thieves and treasure. The culprits are of course the pirate dinosaurs, who manage to capture Gurgleguts and threaten to barbecue him. Tyrannosaurus Rex, however, remembers his previous encounter with Captain Flinn and brings on his fearsome cousin, Gigantosaurus. This huge monster is terrified of a tiny spider hanging from Flinn's hat. Flinn seizes the opportunity to grab the treasure, free Gurgleguts and tie up the dinosaurs. It's not long before they are heading back on the ship. At the museum, the guide is delighted to see the treasure returned, but there's no way he's going to believe in pirate dinosaurs.

“Captain Flinn and the Pirate Dinosaurs: Missing Treasure” is Giles Andreae's sequel to Flinn's first adventure when he vanquished Tyrannosaurus Rex. The idea of Flinn and his friends falling through the back of the cupboard not only has shades of C.S. Lewis' “The Lion, the Witch and the Wardrobe”, but is a repetition of the way the children found themselves on a pirate ship in the previous book. The story itself is, however, full of humour and excitement, and the ingredients of pirates, dinosaurs and lost treasure are bound to appeal to many young children.

Giles Andreae has of course invented the giganotosaurus, and has included a friendly note before the story starts on the pronunciation of the name, breaking it down into six syllables. I think a fair few adults will appreciate this. “Captain Flinn and the Pirate Dinosaurs: Missing Treasure” is a great read-aloud adventure, but with lengthy dinosaur names and insults like “dastardly dunderheads”, it is not an ideal book for a child learning to read. Most of the text is in a large font, in fact some words and phrases are extra large for emphasis, but sometimes the font resembles handwriting. The text is superimposed on the illustrations, and in a few cases the background is a little dark.

Russell Ayto's illustrations are wonderful and definitely bring the story to life. He uses vibrant reds, blues and yellows alongside more muted colours, and really goes to town with the characters. The dinosaurs have huge toothy grins and evil eyes, while Gurgleguts is a round body with stick-like limbs and tiny spotted handkerchief on his head. As in the previous book, there is a colourful cross-section of the pirate ship showing mice in hammocks, a bed with a skull bed-head, and a soppy Gurgleguts hugging one of the children goodbye.

The device of the back of the cupboard falling away to get the children onto a ship was disappointing in the first story and even more so when it was repeated in “Captain Flinn and the Pirate Dinosaurs: Missing Treasure”. Nevertheless, Giles Andreae has created an adventure story that most children, certainly boys, will love. The group of four-year-olds that I read it aloud to reacted to it with plenty of enthusiasm. One of the boys had the book at home and was able to recite a little song from the book as well as join in with a few other lines here and there. It was obviously a book that he had asked to have read to him again and again. Although not a favourite picture book of mine, the humour and sense of adventure make this a story that three to five-year-olds will not be bored by. Slightly older children may enjoy it too, but a young independent reader will probably find it quite challenging. Recommended for any fans of pirates and dinosaurs.

Captain Flinn and the Pirate Dinosaurs: Missing Treasure
By Giles Andreae (Author) and Russell Ayto (Illustrator)
Paperback, 32 pages
Puffin, 2008
ISBN 9780141500492
Price £6.99 (Amazon £4.18)

Captain Flinn and the Pirate Dinosaurs, by Giles Andreae and Russell Ayto

Flinn, like so many other boys his age, loves dinosaurs and pirates. One day at school his teacher sends him to a walk-in cupboard to look for the pens he needs to colour a dinosaur picture. While inside, Flinn hears the sound of a man crying. He is amazed to find Captain Stubble, a pirate, shaking and shuddering on the floor under a curtain. The reason for Captain Stubble's despair is that his ship has been stolen. Flinn offers to help him get it back, and out of nowhere three of his friends appear, all clamouring to join in the adventure.

Suddenly the back of the cupboard falls away and they find themselves on board a pirate ship. Captain Stubble appoints Flinn as the new captain, as he would rather be the cook. Off they sail in search of the lost ship, the 'Acorn'. After a long voyage they spot it through their telescope but are horrified to see that it has been taken over by pirate dinosaurs, with a mighty Tyrannosaurus Rex at the helm. They bravely attack, and soon all the dinosaurs except for T Rex jump overboard. Flinn challenges Tyrannosaurus to a duel, and miraculously keeps going until the dinosaur surrenders. Tyrannosaurus promises to be good from then on, and is so impressed by Flinn that he appoints him as the new captain of the dinosaur pirates.

Flinn, however, suddenly realises he should be back at school. They sail home while Stubble cooks shark's fin stew for everyone. Back on shore the children wave goodbye to Stubble and Tyrannosaurus Rex, then clamber back into the school cupboard. As they creep into the classroom, Miss Pie has just finished reading a story to the class. She wonders what Flinn and his pals have been up to, but they just smile at each other and say, “Nothing really at all.”

Giles Andreae has taken two popular groups of characters in the form of pirates and dinosaurs to create a fast-paced adventure that could hardly fail to be a success, especially among young boys. When I asked a group of four-year-olds which stories they would like to repeat in their drama sessions at the end of the school year, “Captain Flinn and the Pirate Dinosaurs” was one of their three choices. (The other two were Julia Donaldson's “A Squash and a Squeeze” and “Courtney” by John Burningham.) It is easy to see the appeal. It is, however, hard to overlook the parallel with C.S. Lewis' “The Lion, the Witch and the Wardrobe” when Flinn and company fall through the back of the cupboard. Pre-school children of course are unlikely to be aware of this similarity. Even so, whilst there is excitement and a bravely fought duel, the story is neither original nor intriguing. The ending is also somewhat of an anticlimax.

Russell Ayot's illustrations for “Captain Flinn and the Pirate Dinosaurs” are bold, humorous and highly colourful. Tyrannosaurus in his pirate rig-out has evil eyes and deadly sharp teeth, confronting puny Flinn who bravely wields his silver cutlass with a determined expression. At one point we see a fascinating cross-section of the 'Acorn' with almost toothless pirate prisoners tied up below deck, and Tyrannosaurus Rex grinning in anticipation as he watches Stubble (who has a great deal of stubble) stirring the stew. There's even a bemused little blue parrot. Smoke puffs out from the kitchen against a scarlet sky.

“Captain Flinn and the Pirate Dinosaurs” is definitely a read-aloud story rather than a book for a child learning to read. The text is superimposed on the illustrations, usually on a light-coloured background but occasionally on red or blue. Some words and phrases appear in a larger font for emphasis, and one or two are in capitals in a font that looks like handwriting. Exclamation marks abound. A lot of young children are familiar with the names of various species of dinosaur that appear here, such as stegosaurus and triceratops, but that does not of course mean that they would find them easy to read. Phrases such as “All hands on deck!” or “Right, me hearties” lend authenticity to the pirate theme, but here again originality is sadly lacking.

“Captain Flinn and the Pirate Dinosaurs” is a particularly lively book that is more than likely to hold the attention of children, especially boys, aged from three up to six or perhaps seven. It is not the greatest, most imaginative story, but children of that age may not be so critical. One or two of the illustrations could be frightening for a very young child, but on the whole they are amusing and bring the story to life. This is a picture book that may not be the favourite for the adult reader, but could be very popular with a child that loves action with pirates or dinosaurs or both.


Captain Flinn and the Pirate Dinosaurs
Giles Andreae (Author) and Russell Ayto (Illustrator)
Puffin, 2006
Paperback, 32 pages
ISBN 9780140569216
Price £6.99 (Amazon £4.99)

Small Knight and George and the Royal Chocolate Cake, by Ronda Armitage

A small knight and his even smaller pet dragon, George, live in an old castle. One day a letter arrives from the king, saying that he and the queen will be visiting and would like a party to be arranged. He particularly requests that Big Cook make her special chocolate cake.

Everyone begins to make preparations, with Small Knight and George distributing the invitations. Soon the chocolate cake is ready, and it is huge. However, the delicious smell wafting from it reaches the wild brigands in the dark woods. Indignant that they have not been invited to the party, they creep into the castle in the middle of the night and steal the cake.

Dad Knight orders Small Knight to go in search of the brigands and bring back the cake. Small Knight doesn't feel in the least bit brave, but his love of chocolate cake spurs him on. With George behind him on his horse, he sets off to the wild woods, singing a song. After a while he encounters the band of brigands who declare themselves to be very wild and very hungry. Small Knight bravely shouts at them to leave the cake alone. He cleverly tells them that if they behave, they can come to the party. His idea miraculously works, so that cake is taken back to the palace and the spruced up brigands are allowed at the party. When they have eaten their fill, everyone plays kick-a-ball.

'Small Knight and George and the Royal Chocolate Cake' starts off seeming rather traditional in many ways, but stands out because Small Knight achieved his aim not by fighting but by being friendly and generous towards the brigands. I was at pains to stress this concept to a group of four-year-old children and suggested that they might learn a thing or two from Small Knight's methods, but I think I was being over-optimistic. Perhaps the story needed to be read a few more times to drum the message home. Ronda Armitage is, nevertheless, to be commended for depicting such friendly, peace-loving characters.

There is slightly more text per page than some picture books, but the font is large and the background is always white for the story itself. The letter from the king appears on a pale yellow scroll in handwriting which is easy to read as it is not cursive. There are a few words and phrases that are set in a large font for emphasis, and coloured speech bubbles are interestingly used when Dad and Mum Knight and Big Cook are watching out for the brigands just before the party. The flavour of a medieval manuscript is suggested by a particularly large first letter decorated by George on many pages. Adults might appreciate this detail more than young children. The vocabulary is fairly straightforward, although understandably there seemed to be just one four-year-old boy in my group who knew what a portcullis was. This is definitely a story to be read aloud rather than a book for a child who is learning to read.

The illustrations for 'Small Knight and George and the Royal Chocolate Cake' are by Arthur Robins.

They are full of humour and in a style that will appeal readily to young children. Apart from the first picture of the wild brigands hiding in the woods, they are all very bright and colourful. The fact that they are not my favourite picture-book illustrations is almost bound to be a good sign; I'm too old to appreciate what today's pre-school children are likely to enjoy most.

I am always on the lookout for picture books that can be used as a basis for a drama session, and 'Small Knight and George and the Royal Chocolate Cake' proved to be ideal. Most young children enjoy pretending to be wild brigands and eating chocolate cake at parties. It would probably work well even with quite a large group that need a lively activity.

This is a book that might appeal more to boys than to girls, but the fun illustrations and imaginative story should make it one worth at least borrowing from the library to read to any young child. I particularly liked Ronda Armitage's idea of inviting the brigands to the party rather than fighting against them, so I would recommend adding it to any children's library on that basis alone.

Small Knight and George and the Royal Chocolate Cake

Ronda Armitage (author), Arthur Robins (illustrator)

Paperback, 32 pages

Orchard Books, 2009

ISBN 9781846169137

Price £5.99 (Amazon £4.19)

Oi! Get off our Train - John Burningham

A little boy dressed in his pyjamas is scolded by his mum as he is still playing with the train on the floor at the end of his bed. He is told to go to bed at once, and mum gives him his pyjama-case dog to cuddle. There's no goodnight kiss, however, just an order to “settle down and go to sleep”. The boy obeys.

The next two pages show a double-spread of the toy train chugging off, with smoke billowing out of the engine's chimney. Turn over again, and the boy is seated in the engine, wearing his pyjamas and a cap. The dog, also sporting a cap, is shovelling coal into the furnace. The train speeds along over great bridges, puffing out grey smoke, and the boy thinks they might have time for a picnic. Then he notices that it looks as though it's foggy ahead and says they could play ghosts if it is.

Suddenly, an elephant boards the train, but the boy and the dog say in no uncertain terms, “Oi! Get off our train.” The elephant, however, very politely begs to be allowed to stay on the train as someone wants to cut off his tusks, and soon there will be no elephants left. He stays on and sprays the dog with a huge jet of water when they stop for a swim. It looks like great fun.

After this several other animals try to board the train: a seal, a crane, a tiger and a polar bear. Each one is initially told “Oi! Get off our train.” But each animal has a reason to stay: too many fish are being caught, forests are being cut down, marshes are being drained. Lots of fun is had during the journey, flying kites, throwing snowballs, and messing about with umbrellas.

Suddenly the boy realises that they will have to head home so that he will be in time for school in the morning. We see him tucked up in bed and mum comes to tell him to get up straight away. It must have been a dream, or was it? Mum says there are animals all over the house: an elephant in the hall, a seal in the bath, and so on. She wonders if it has anything to do with the boy.

'Oi! Get off our Train' is a delightful story in which John Burningham cleverly brings in the message that these animals are all endangered species. It is an original way of combining an imaginative tale of a boy and a toy dog speeding off on an adventure with the idea that the animals need help because their numbers are dwindling. Burningham makes sure that there is plenty of play and fun throughout so that the story will have sufficient appeal for a young child.

This is an easy book to read aloud with the text in a clear, large font and just a few lines – sometimes only one – on each double page. Although the vocabulary used is straightforward, I wouldn't recommend it as a book for a very young child who is learning to read by phonics. It could, however, be popular with children up to the age of seven who are independent readers and might enjoy reading the story aloud to a younger sibling.

John Burningham illustrates his picture books himself, and the illustrations contribute enormously to 'Oi! Get off our Train'. They are watercolour/pastel sketches that use a great variety of colours to create different moods, from the sun-filled scene of kite-flying to the black and gold sky of the double page that shows the train steaming home again. The animals take on human qualities as they stand upright, either to tell the latest arrival to get off the train or to hold up umbrellas. At one point we see the dog taking a break from shovelling coal: he has removed his cap and is mopping his brow with spotted red handkerchief. Burningham is one of my favourite illustrators, but I know there are those who prefer the more up-to-date work of, for example, Lauren Child.

I have successfully used 'Oi! Get off our Train' in drama sessions with small groups of four-year-old children. I thought the title might be considered rude and I'm expected to be teaching these little ones how to be polite, so I suggested we say 'Hey! Please get off out train' as an alternative. The story does lend itself well to drama as most children enjoy pretending to be animals as well as chugging round the room making steam train noises. If there are too many children in the group there is no harm in having two elephants, two seals, and so on. To be honest I'm not quite sure how well they understood the idea that the animals were endangered species, but if you are reading the book aloud to just one or two children it might be easier to emphasise this and talk more about it.

'Oi! Get off our Train' may appeal slightly more to boys than girls, as the main character is a boy and boys are perhaps more likely to be interested in trains. It is, however, a delightful story, and the animals and sense of adventure should make it a book that any child will enjoy. For anyone interested in explaining the idea of endangered species to young children, this book is an ideal way of approaching the subject since it weaves the message into a story. I would highly recommend it.

Oi! Get Off our Train

by John Burningham

Paperback, 46 pages

Publisher: Red Fox, 1991

ISBN 009985340X

Price £5.99 (Amazon £3.97)

Romp in the Swamp, by Ian Whybrow and Adrian Reynolds

Harry and his bucket of dinosaurs are not looking forward to going to play with a girl called Charlie. There's no way out, however, as Mum and Nan are taking Harry's big sister Sam to visit her new school. The dinosaurs are hiding because they are afraid that Charlie will manhandle them, but Harry assures them that he won't let her touch them. Into the bucket they go, and Harry gets into the family car. Poor Nan has to sit between Sam and Harry because they don't exactly get along well together.

When Harry is dropped off at Charlie's house, he hides the bucket of dinosaurs behind his back and looks rather glum. The two children go indoors and sit at opposite ends of the sofa with their toys. But Charlie soon gets up and starts filling a big basket with toys, cushions, boxes, string, and even plants. It looks so interesting that Harry and the dinosaurs go after her into the garden to see what she's up to. The dinosaurs realise straight away that Charlie is making a primeval swamp, and the garden hose is hissing away, just like an enormous snake.

Lots of fun ensues, during which Tyrannosaurus has to be rescued from the snake's deadly grip and the basket serves as a cage to capture the snake. The children and the dinosaurs end up having tea in the garden, and by the time he is picked up Harry has decided that he – and the dinosaurs, of course – would definitely like to come back and play with Charlie again.

'Romp in the Swamp' is one of a series of books about Harry and his bucketful of dinosaurs that are hugely popular with young children, partly because they tie in with a television series too. Author Ian Whybrow's books usually deal with situations that children might find very daunting, such as the first day at school or a visit to the dentist, and show that they can turn out to be enjoyable rather than something to worry about. 'Romp in the Swamp' is obviously no exception, as a young child could feel very nervous about going to a strange house to play with another child he doesn't know while the rest of his family have gone somewhere without him. The story is full of fun and might help to reassure a child that going to visit another family should be an occasion to look forward to. It's also a story that shows young children having a great time with imaginative play.

The text is in a large, clear font and there are rarely more than four lines per page, superimposed on a light-coloured area of the illustrations. There are of course names of dinosaurs such as Apatosaurus and Scelidosaurus, but I often find that young children are pretty good at learning these, partly because they just love dinosaurs. Other than these names, the vocabulary used is straightforward, but this is essentially a picture book for reading aloud. Because it involves dinosaurs and is so entertaining, it might still appeal to a confident young reader of perhaps six years old to read independently or share with a younger sibling.

Adrian Reynolds' illustrations for 'Romp in the Swamp' are bold and colourful, mainly using primary colours with plenty of green. They fill the pages and more often than not are double spreads. The dinosaurs always have suitable facial expressions, often open-mouthed, and always enthusiastic when things are exciting and fun. The garden hose 'snake' is a red and yellow striped one that stands out perfectly against the grass and leaves, as well as the blue plastic basket used to capture him.

It is hard to go wrong with picture books about dinosaurs with most young children, and I have always found that Harry and the bucketful of dinosaurs have a tremendous appeal. I have used 'Romp in the Swamp' as the basis for a drama session with four-year-olds, and they love pretending to be dinosaurs, especially when they can 'Raaaah!' This is a book I would definitely recommend, perhaps for children as young as two. It's great fun to read aloud.

If I were You, by Richard Hamilton and Babette Cole

Dad is tucking Daisy up in bed – well actually, he's in bed too and yawning. He says to her, 'If I were you, I'd snuggle down and go to sleep.' Daisy, who looks wide awake, takes this literally and they begin to talk about what would happen if Dad were Daisy and Daisy were Dad.

Daisy would read Dad a bedtime story, and Dad would wake up first in the morning and go and bounce on Daisy's bed. Daisy would dress Dad in a pink tutu and give him porridge for breakfast while she had chocolate fromage frais. Dad would have a lazy time watching television and playing while Daisy did the housework. This sounds good to Dad, but he's not sure about being taken for a walk in a pushchair wearing that pink tutu – what on earth would the neighbours think?

Dad and Daisy would go to the park, but Daisy realises she wouldn't be strong enough to give Dad a piggyback. Dad could have a great time having tea with his friends and playing games, after which Daisy would have to give him a bath. The whole story comes full circle when Daisy says she would tuck Dad up in bed and give him a big kiss. Dad thinks that a day without household chores would be fantastic, but Daisy of course realises that she is better off being herself. After all this thinking, Daisy finally drifts off to sleep and Dad can creep off and relax.

Richard Hamilton has created a fascinating tale based on the reversal of roles in 'If I were you.' It is an ideal opportunity for plenty of humour, especially when they consider the idea of Dad wearing a ballet tutu. There is no mention of Mum in the story except when Daisy suggests Dad could have tea with his friends. Mum is there with Baby, so it seems that in this family Dad gets to do all the chores and look after Daisy most of the time. Dad and Daisy do seem to have a loving and friendly relationship. Hamilton uses rhyming couplets in each situation that the pair imagine; this is an ideal way to develop a young child's feel for rhyme and love of language.

Babette Cole's illustrations make a huge contribution to this picture book. She knows exactly how to portray the humour in each situation, showing Dad with a few spiky hairs on his legs and a six-o'clock shadow when he wears the pink tutu. There are a couple of pages showing Daisy and Dad at the zoo, running along with monkeys in one of them. Here Dad, still in the tutu, clasps a bunch of colourful balloons while Daisy holds an ice cream out to him. When they are playing musical chairs after tea, we see Daisy's blue kangaroo and a pig joining in. Further down the page Dad (in his tutu, of course) gets down on all fours, Daisy balances on his back and they chase after the three bears. Dad has fun spitting out a jet of water while he's having his bath, but doesn't seem to appreciate Daisy shampooing his hair. One of the bears joins him in the bath whereas the cat dashes off at the sight of all the bubbles.

The text is set in quite a large font, and there aren't usually more than two or three lines per page. It isn't always in straight lines, however; sometimes it curves up and down, or individual words appear to jump around when Dad is bouncing on Daisy's bed. Single words are sometimes set in a larger font for emphasis. The text is always printed on a light-coloured background, so there will not be any problems deciphering it. This is definitely a read-aloud book rather than one for a child learning to read. I can imagine that a child of about seven who is a confident reader might enjoy reading it to a younger brother and sister, especially since there is so much humour throughout the book.

I have read this aloud to a group to children aged three and a half to four, who were about the right age to follow the idea of role reversal and appreciate the humour. I'm not sure that two-year-olds would quite understand the concept of the book, but they might still get some fun out of the illustrations.

Richard Hamilton has come up with an original idea for a picture book here, and I cannot think of anyone who would have provided more appropriate illustrations than Babette Cole. This is a book that can be enjoyed by the adult reading aloud as well as the child being read too. I am sure that it will appeal to many families, and I certainly recommend it.

If I Were You

Richard Hamilton (author)

Babette Cole (illustrator)

Bloomsbury Publishing PLC, 2009

Paperback, 32 pages

ISBN 9780747587576

Clap Your Hands - Finger Rhymes by Sarah Hayes and Toni Goffe

Poetry is a wonderful way to introduce young children to the idea of rhyme and rhythm. Poems can also incorporate counting and alphabet themes that help children to learn numbers and letters. Read aloud, children can be encouraged to join in as soon as they become familiar with the words. That's something they are likely to do surprisingly quickly.

If you are looking for a collection of short rhymes, Clap Your Hands – Finger Rhymes by Sarah Hayes and Toni Goffe is an anthology of both modern and traditional rhymes, some to be read aloud and some that can be sung. Along with each rhyme comes a series of colorful illustrations that demonstrate actions using the fingers that children can do whilst the rhymes are read or sung. Some involve counting, forwards or backwards, whereas others require using fingers and thumbs to make a circle or a triangle, for example, or to imitate 'incey wincey spider' climbing up the water spout. Here's an example of the kind of rhyme you will find in this book:

'Five fat peas in a pea-pod pressed.

One grew, two grew, so did all the rest.

They grew and grew and did not stop,

Until one day the pod went POP!'

We meet monkey-devouring alligators and witches snapping up pumpkins to make a pie, but even though the pumpkins are personified as little boys and girls sitting on a wall, I never find that children feel threatened by these scary characters that turn up in rhymes and stories. They perhaps enjoy the contrast with the more comforting ideas of baking cakes or cuddling rabbits.

As well as counting forwards and backwards, there are one or two rhymes that could be used to introduce addition and subtraction to young children. (I currently teach a boy approaching his fourth birthday who can count backwards from one hundred and tell me that five plus two equals seven, so don't underestimate pre-school children!) As you read 'Ten galloping horses came through the town, Five were white and five were brown', you can ask the child to put up five fingers on one hand then five on the other and count that they make ten altogether. A few pages later, in 'Chook, Chook...', we meet Mrs Hen; she has ten chickens, four of which are yellow, four are brown, and two are speckled red. So we can deduce that four plus four plus two make ten.

Not all the poems have to be such serious hard work, of course. One simply asks if you would like a cookie, a piece of pie, or a candy stick; another tells us about a turtle who lived in a box and swam in a puddle. The children in the illustrations almost always have beaming smiles, and we see blue-spotted white horses, stripy bees and cats, and stern policemen bowing to each other as they meet in a lane. There is plenty for a young child who is being read to to look at here.

If you want ideas for rhymes and songs, especially those involving numbers, this is an excellent book to use. Unfortunately it seems to be a little hard to get hold of now; I borrowed a paperback edition from the library, but there is a hardback edition available on Amazon Marketplace. Definitely recommended to enjoy with toddlers up to five-year-olds.

Clap Your Hands – Finger Rhymes

by Sarah Hayes and Toni Goffe

Lothrop Lee and Shepard

Hardback, 29 pages

ISBN 074451231X

Price from £3.68 on Amazon Marketplace

Doing the Animal Bop - J. Ormerod and Lindsey Gardiner

Picture books often have a simple story line with a strong rhythm and plenty rhyming words: Doing the Animal Bop by J. Ormerod and Lindsey Gardiner begins 'If you like to dance and you sometimes sing, Why don't you do the animal thing?' It is hard for children to resist the urge when this is read aloud to get up and try to move in the same way as each animal that appears in these pages, jiggling and jiving, waddling like a duck or stomping like a rhino.

This is not really a story at all, more of a poem that introduces a series of animals, one on each double page, concentrating on the way they move and the sounds they make. As well as rhyme, there is onomatopoeia in the 'Craak, craak, craak' of the penguin song, and alliteration in the 'flim-flam flutter of the ostrich flounce' or the monkeys' 'jive and jiggle'. The hissing of the snake is exaggerated in the line 'you can ssssssing this ssssssong'. The chickens peck and cluck whilst the rhinos roar and rage.

On the final pages the line 'so let's end up with a great big mooo!' (because the cow can only chew) becomes so familiar that children love to join in. There is after that one more double-page illustration of the animals in silhouette dancing off into the night under the pink stars in the dark blue sky. It's as though they are off to party all night.

Both rhyme and rhythm come through in no uncertain terms, creating a lively pace. This is an ideal book to encourage children to get up and move, exercising and trying to stomp, waddle, jive or slither like a snake. You can imagine that it's probably not the best bedtime story, unless you want your child to run off a little more energy before slipping under the covers.

I absolutely love the use of colour in Lindsey Gardiner's illustrations. The backgrounds in particular are striking, and all are different colours. A pink elephant trudges along against an orange background, whilst a pale green lizard moves on a salmon pink ground. The ostrich seems to have borrowed Winnie the Witch's stripy tights, bouncing and flouncing on a deep pink background. In each picture there is a tiny mouse with a yellow tummy and tail; we meet it right at the beginning, and children can have fun spotting where it is on each page throughout the book, as it frequently tries to imitate the other animals.

This is a feast of language and colour, and a delightful way of teaching very young children about the sounds and movements of different animals. Recognising rhyming words is said to be a fundamental precursor to reading, so that is one more reason to make this an ideal book to read aloud, perhaps to children as young as two. It may not be the easiest book for a young reader to tackle, unless a particularly confident one is looking for a challenge. If you are looking for a book that will impart a love of the sounds of words to your children and at the same time get them out of their seats, this could be the ideal one.

Doing the Animal Bop

J. Ormerod and Lindsey Gardiner

Oxford University Press

Paperback, 32 pages

ISBN 0192791400

Price £5.99 (Amazon £4.49)

But excuse me that is my book - Lauren Child

Charlie and Lola are off to the library, and Lola announces that she must borrow her favourite book, 'Beetles, Bugs and Butterflies'. When Charlie comments that Dad took it out for her last time and the time before that, Lola explains that it's the best book because 'the bugs are quite buggy and the butterflies are really beautiful and the beetles are... very silly'.

Once they are at the library, big brother Charlie does his utmost to keep Lola quiet and suggests she look for her special book amongst all the books beginning with B. Lola is quite distraught when she can't find it, and she won't accept Charlie's explanation that someone must have borrowed it. She considers it to be her book. Charlie tries to persuade her to have a look at a few other books, but Lola protests that the one about the Romans has too many big words and the pop-up book with cherry blossom rain just isn't funny. Charlie realises that he will have to find an animal book that will make her laugh, and he shows her 'Cheetahs and Chimpanzees'.

Just then, Lola is shocked to see a girl walking off with 'Beetles, Bugs and Butterflies'. She finds it hard to accept that anyone else can take it out. She has no choice but to give 'Cheetahs and Chimpanzees' a go, and thankfully she finds it to be wonderful. In fact, she says it has the best pictures ever and thinks the chimps are very funny. Charlie must have breathed a big sigh of relief.

This may not be the best or most popular of Lauren Child's Charlie and Lola books, but it is the perfect one to introduce a young child to the idea that when you bring a book home from the library it doesn't actually belong to you. It is also ideal for perhaps persuading your son and daughter to be open minded and try different books or toys, particularly when one they are obsessed with is lost or broken. They might discover something even better when they try something new.

Lauren Child illustrates all her stories herself in her distinctive style. She uses vibrant colours throughout, and the page where Lola talks about her favourite book is dotted with patterned butterflies and a row of wide-eyed bugs marching along. When she finally looks at 'Cheetahs and Chimpanzees', Child uses photo-montage to show her standing in a jungle setting with the book while a friendly grinning monkey watches her from each side.

The text is usually superimposed on the illustrations, and on one or two pages in appears in mauve or pale blue on a black background. Sometimes lines of text curve around the pictures, and the font can vary in size to emphasize particular words or phrases. In some instances, the individual letters of a word jiggle playfully up and down. Lauren Child has Lola speaking at times in an amusing, ungrammatical way that might be typical of a young child, for example when she says that 'Beetles, Bugs and Butterflies' is a 'very great and extremely very interesting' book.

While 'But excuse me that is my book' is an ideal book to read aloud, the creative use of the text does not make it an easy one for a child that is just learning to read. An older sibling, however, who is a confident reader, would probably enjoy reading this to a brother or sister. Many of them are likely to identify with Charlie and not find the book too childish.

I often read picture books aloud to groups of children aged three and four, and if I give them a choice I almost always find that a Charlie and Lola book is asked for. This one is unlikely to appeal to two-year-olds, but might still be approved of by children of five or six. Although it may not be the best in the series, I don't think you can go wrong borrowing a Charlie and Lola story from the library and then deciding if it is worth buying. If I have grandchildren one day, I hope I will be able to enjoy reading 'But excuse me that is my book' aloud to them.

But excuse me that is my book

Lauren Child

Paperback, 32 pages

Puffin 2006

ISBN 0141500530

Price £5.99 (Amazon £3.99)

The Rattletrap Car - Phyllis Root and Jill Barton

During the National Year of Reading, I thought I should look for some different books to read aloud at the nursery where I work. I found just the book to inspire me at my local library: Rattletrap Car, by Phyllis Root, illustrated by Jill Barton.

Why did it take me so long to discover this wonderful book? What if I never had? My experience of the English language would have been so much the poorer. How have I been working with young children for so long and not known of the existence of razzleberry dazzleberry snazzleberry fizz? Thankfully now I do, and I also understand to what uses chocolate marshmallow fudge delight can be put.

The story of Rattletrap Car revolves around Junie, Jakie, baby and Dad. Mum is not mentioned at all, but they seem to muddle through without her. The story starts as Dad is tending to the chickens on their farm. A pig looks on, and Junie, Jakie and the baby, sitting on the ground and feeling the heat, decide that it would be a good idea to go to the lake. Dad, however, surveys their rattletrap car and is concerned that 'it doesn't go fast and it doesn't go far'. The children aren't taking no for an answer, however, although Junie and Jakie are polite enough to say 'Please, please, please!' Baby just cries out 'Go!'

Dad knows he must give it a try, so he packs the aforementioned fizz and fudge delight. Junie brings her enormous beach-ball, and Jakie a surf-board that's about twice as long as he is tall. Baby naturally has a 'three-speed, wind-up, paddle-wheel boat'.

As their journey begins, we are treated to a feast of onomatopoeia: 'Clinkety clankety bing bang pop!' Then disaster number one strikes as a tyre goes flat. Junie is not fazed; she replaces the flat tyre with her beach ball, sticking it in place with chocolate marshmallow fudge delight. It's the obvious thing to do.

Off they go again, 'clinkety clankety', but every so often another part of the car falls off. No problem: they improvise and replace it with one of the other things they have brought along. Each time they get going again, we are treated to another burst of onomatopoeia, be it 'wappity bappity', 'fizzelly sizzelly', 'flippita fluppita', or a combination thereof.

If you want to know whether or not the car survived the journey all the way to the lake and home again, I'm sorry, but you will just have to read the book for yourself.

This is an amazing book to read aloud to young children. The lettering is in red in a large font, but I wouldn't recommend it for emergent readers as they might get a complex struggling with words such as 'bappity', 'rattletrap' or 'bumpety'. It will be as much a delight for most adults as for children, so it is a book to be enjoyed together, savouring the wonderful sounds that Phyllis Root has conjured up here. This is magical language.

Jill Barton's colourful illustrations fill every page and make this book a visual treasure as much as a linguistic one. A little flock of sheep comes along to gaze dumbfounded at one of the problems the family is having, and rabbits look on under a moonlit sky at the end of the story.

This is one book that Dads who take the children out on their own for the day can have a great laugh over. Not being a driver or a mechanic myself, I cannot vouch for the solutions the family finds for their broken car, but I think I can safely say don't try this on your way to the lake when your car breaks down...

For the joy of the language and the drawings, as well as the idea of using your imagination and improvising when things go wrong, this is a book that will provide entertainment again and again. It also demonstrates how family members can work together to overcome obstacles and not give up the minute a problem arises. Although aimed at young children, I think anyone who can read English and has a love of language and books should read this one.

Rattletrap Car

by Phyllis Root

illustrated by Jill Barton

Walker Books, 2002

Paperback, 40 pages

ISBN 0744589320

Noko's Surprise Party - Fiona Moodie

South-African Fiona Moodie wanted to write and illustrate children's books from a young age and it is easy to see that she had the talent to fulfil her ambition. Noko's Surprise Party is her latest picture book and is a follow-up to Noko and the Night Monster.

As Takadu the aardvark and Noko the porcupine have been friends for so long, it is only natural that Takadu wants to plan a party for Noko's birthday, but it is to be a surprise. Takadu goes to considerable trouble to write and hand out invitations to Mrs. Warthog, Bat-eared Fox, Pangolin (a scaly anteater), Velvet Monkey and Guineafowl. The problems begin when Greedy Hyena sees Takadu deliver the invitations and realises that he has not been included because of his awful manners. He follows secretly when Takadu goes on a long journey to collect figs for the party. As Takadu is going back through the Dark Wild Wood, he meets Bushbaby and gives him one of the figs because he is so hungry. Leaving the wood, he comes across Mountain Tortoise lying on his back under the baking sun; he has to turn him the right way up and then give him a juicy fig to quench his thirst. Although his basket is now slightly lighter, Takadu is growing tired and decides to have a nap in the shade of a cabbage tree. Hyena has been waiting for his chance for revenge, and he gobbles up all but one of the figs that Takadu has collected.

Poor Takadu is of course upset and angry when he wakes up and sees what has happened. He can smell Hyena and realises that he is the culprit. What will he be able to do to make sure that Noko still has a wonderful birthday party? Will Hyena live to regret his greed?

Folk tales seem to have gone out of fashion, but this is a book that might reverse that trend. The 'hero', Takadu, is a delightful character who loves making up songs and manages to sing even when things are going against him. He is always eager to help his fellow creatures. Noko is another admirable role model who wants everybody to be happy on his birthday. Greedy Hyena, however, is the typical villain; he is understandably upset at not receiving an invitation, but his selfish way of taking revenge only leaves him feeling even more isolated at the start of the party. Children can learn some good lessons here about how behaviour affects the feelings of others as well as ourselves. The lessons, of course, come across in the most enjoyable and natural of ways.

Most of the pages present just a few lines of text in a large, clear font under or alongside the illustrations. There are also a few wonderful double-page spreads where the text is superimposed on the picture, but the light-coloured backgrounds make for easy reading. This is essentially a book for reading aloud; it would not be the easiest one for a young reader to tackle, especially as there are one or two unfamiliar phrases such as 'a calabash of marala berry juice'. For a gifted and confident young reader, the story would present an interesting challenge.

Moodie is an illustrator as much as an author, and the pictures here make a huge contribution to the book as a whole. I find her style very original and delightful. It has a primitive feel to it and yet seems up to date at the same time. The animals – with the exception of Greedy Hyena, of course – always look so friendly and inviting. Landscapes range from the desert with blue mountains in the distance to the Dark Wild Wood where wide-eyed bats hang from branches. A map of the area spreads over both the front and back inside covers. Here, as well as the trees, rivers and rocks, we see charming scenes of Takadu playing a tune on his guitar for Noko, Velvet Monkey climbing the trunk of a palm tree, and Bat-eared Fox emerging from his hole. I had never heard of a pangolin before, but I think I might be able to recognise one now.

The book was first published in 2007 and is unfortunately only available in a hardcover version at the moment. I presume a cheaper paperback version is forthcoming, as even Amazon's discounted price of £7.91 is quite hefty for a children's book, albeit a beautiful and worthwhile one. I suggest borrowing a copy from a library first to see if you think it would be worth buying. The price is my only reservation, as it is a story that provides a great deal of enjoyment, complemented by delightful illustrations. A whole-hearted recommendation.

Noko's Surprise Party

by Fiona Moodie

Hardback, 32 Pages

Frances Lincoln Publishers, 2007

ISBN 1845075870

Price £11.99 (£7.91 on Amazon)

Tell me something happy before I go to sleep - Joyce Dunbar

'Tell me something happy before I go to sleep' by Joyce Dunbar tells the story of Willa, a young rabbit (depicted as a soft toy) who cannot get to sleep and seeks comfort from her elder brother Willoughby. Willa is afraid she will have bad dreams, so Willoughby encourages her to think of something happy instead.

Willia crosses her ears over her eyes to concentrate, but she can't think of anything happy, so she askes Willoughby to suggest something. Willoughby, who is sitting up reading in the top bunk, tells Willa to look under her bed. Willa sees her chicken slippers there, which her brother reminds her are waiting for nobody's feet but Willa's. Willa agrees that this is a happy thought, but she is not easily satisfied and asks for another one.

Willoughby draws her attention to a chair, where his sister's jumpsuit is longing for tomorrow when Willa will jump up and put it on. Willa is enjoying this too much, and wants another happy thought. This time Willoughby picks her up and carries her downstairs to the larder to see the food that is waiting to be made into breakfast. Once again, Willa is pleased, but still wants more. Brother and sister go to look at the toys in the sitting room, and then look out of the window at the night, which Willoughby tells Willa is waiting for the morning.

I will leave you to discover the end of the story, although rest assured, Willa does drift off to sleep quite soon after this.

The story is a lovely one for encouraging an older brother to look after and comfort his sister. It is interesting that at no point in the story does Willa want to go to her Mum or Dad; in fact there is no sign of parents anywhere in the house. Willoughby certainly thinks he is quite capable of convincing Willa how to go to sleep.

The illustrations by Debi Gliori add charm to the story. Willa and Willoughby both have incredibly long, floppy ears, and Willa's jumpsuit is intricately patterned with lettuces and carrots. The rabbits' house is inside a huge tree trunk, and the rather dark interior is brightened up by patchwork quilts in the bedroom and floral wallpaper and curtains in the sitting room. The rabbits have loving smiles on their faces in most of the illustrations.

This should be the perfect bedtime story, unless of course your child wants to emulate Willa and be shown all sorts of things around the house and outside the window before settling down to sleep! I hope this won't be the case.

I don't use this as a bedtime story, but as a book for seven to eight-year-olds that need reading practice. My only criticism here is the choice of the name Willoughby, as this is obviously a very difficult spelling to make sense of. I thought eight-year-old boys might find the story too babyish, but in fact they have enjoyed it.

Amazon are selling the Corgi paperback at £5.99, but there are much lower prices on Amazon Marketplace. I personally have the Red Fox Mini Treasures version, 24 pages, at £1.50.

Just Like You - Jan Fearnley

Jan Fearnley's 'Just Like You' is the delightful story of Mama Mouse and Little Mouse walking home to bed as the sun is setting. On their way they pass five other families of animals that are settling down for the night. Little Mouse notices in each case that one of the parents is telling the babies what they will do to look after them. Everything sounds so impressive that Little Mouse feels that the babies must be very special. Each time Mama Mouse tells her offspring that they are all indeed very special, 'Just like you'.

First they pass under a tree where a mother bird is telling her chicks in the nest that she will fly as high as the clouds and across the sky to find the best food for them. Then they come to a pond where Daddy Frog is settling the froglets under a lily leaf for the night. He promises to jump sky high and find the juiciest bugs for them. Little Mouse doesn't like the idea of the bugs but is still impressed. Further along the way, a mother rabbit and her kittens are basking in the sun's last rays of the day. The mother claims that she will dig the deepest burrow to keep her babies 'safe as treasure' and warm. Little Mouse thinks this sounds like hard work.

Down by the seashore, Mama Seal is singing a lullaby to her one and only pup. She boasts that she will dive deep to find shells, corals and fish for him. The last family that Mama Mouse and Little Mouse see is the family of foxes. Father Fox says he will run so far and fast that he will be able to protect his babies from any danger.

By the time the mice arrive home, Little Mouse is looking very thoughtful. As he gets ready for bed, he wonders what Mama Mouse will do for him, since she can't fly, jump, dig, dive or run. Maybe he is not special? Mama Mouse, however, assures him that she will tell him stories, play with him, feed him, cuddle him and even be extremely cross when he is naughty. Most of all, she will always love and care for him. Little Mouse goes to bed happy, feeling very special, and whispers that Mama Mouse is also very special, just like him.

Fearnley's story is a particularly sweet one for the very young. It is an ideal bedtime story because we see Little Mouse being tucked in bed right at the end, as well as the other animals settling down for the night earlier in the book. It is also an excellent story for introducing a small but varied group of animals that each have their own special skills that young children can learn about. The adult that has read to the child could ask if they can remember which animal can dive, which can jump, or which can run fast. A child might also learn from this book that a baby rabbit, just like a baby cat, is called a kitten, and that a baby seal is a pup.

I have the Mini Book version in which the font used for the text is rather small, but 'Just Like You' is available in a larger format. Some pages have two or three lines of text, some have only one and a few have five, so there is never a huge amount to read before moving on to the next page. The text is often superimposed on the illustrations but always on a light colour, so there is no difficulty in deciphering it. Although this is essentially a book to read aloud, young independent readers might enjoy it too.

Fearnley's accompanying watercolour illustrations are absolutely charming. We see Little Mouse trying to imitate Daddy Frog laughing and leaping, while Mama Mouse watches, hands on hips. A cross section of a warren depicts a mole banging on his ceiling with a broom as a rabbit in the hole above prances around playing on a pipe. On another page, a baby fox rolls in the grass, another is climbing all over his dad, and a third is offering him a poppy. On several pages there are extra little creatures to spot such as butterflies, ladybirds and a squirrel.

'Just Like You' makes a refreshing change from cartoon characters, dinosaurs and aliens should you or your children be growing tired of those. Unless you find a small font to be a problem, it is definitely worth buying the Mini Book for £1.99. The larger format is £5.99 (slightly discounted on Amazon). I would recommend it as a gentle bedtime story for those with a love of animals and the countryside.

George's Marvellous Medicine - Roald Dahl

Any child who has been left to the tender mercies of a difficult elderly relative will immediately identify with Roald Dahl's hero, eight-year-old George. George's family have a farm and there are no friends around to play with at weekends. When his mum goes shopping one Saturday morning, George is left alone with his obnoxious Grandma.

It would be hard to have any feelings of tenderness for George's Grandma. She moans constantly and never has a smile or a kind word for George. Even when he makes her a cup of tea, she grumbles about the sugar and makes a fuss about having a saucer and a teaspoon, even though George has already stirred the tea for her. After criticizing George for growing too fast, she scares the living daylights out of him by suggesting she has magic powers that could make his fingernails drop off and teeth grow there instead.

George rushes off and shuts himself in the kitchen to plan what he might do to 'shake the old woman up a bit'. He has a wonderful idea. He is due to give Grandma a spoonful of her medicine at eleven o'clock, and he decides to concoct a magic medicine to replace her usual one. George bursts into poetry as he hatches his plan. He goes from room to room in the house with a large saucepan, emptying in all the lotions and potions he can lay his hands on, with the exception of those in the forbidden medicine cupboard. George's Marvellous Medicine contains everything from shampoo to floor polish to canary seed. Even the shed and the garage are raided for anything from sheepdip to engine oil. George cooks it all up on the stove and finds himself chanting a magical verse.

The time comes for Grandma to have her spoonful. As soon as she swallows it, she shoots up out of her chair and then comes straight back down again. When she complains that she is on fire, George pours water down her throat. Strange things happen after this, and Grandma ends up several times her normal height with her head sticking up through the roof of the house.

Most boys would be in terrible trouble for causing such commotion but George's dad, being a farmer, wonders if he can use the medicine on his animals to make them super sized too. There might be a problem, however: will George be able to remember exactly what ingredients and in what quantities were in his original Marvellous Medicine? If not, might the medicine have different consequences?

Roald Dahl has created a fantastic tale in 'George's Marvellous Medicine'. Any reader will feel revulsion towards the nasty piece of work that is George's Grandma, and children in particular will sympathize with George's plight at the outset and cheer him on as he concocts his weird and wonderful mixture. Descriptive language and imaginative ideas will delight and entertain readers young and old.

As always, Quentin Blake's illustrations make a distinctive contribution to 'George's Marvellous Medicine'. Grandma certainly resembles a witch, and we see her aghast as she shoots out of her chair, then deformed in various ways as the medicine works its magic. Little George is sketched in the simplest of ways, yet his expression conveys immediately his feelings at different points in the story, whether scared, delighted or amazed.

'George's Marvellous Medicine' is just over a hundred pages long, but the text is set in a large font and there are so many illustrations that the book will not be daunting for a young independent reader. The sentences are on the whole quite short, and there is a fair amount of dialogue to keep a child interested. The longest chapter is about twelve pages, but even then progress is fast because of the number of illustrations.

This is not a story that has to wait until a child is old enough to read it alone, of course. It is a wonderful one to be shared between parents (or grandparents) and their children as a read-aloud book. As it was first published in 1981, some parents may remember it from their own childhood; if not, it will be a hilarious discovery for two generations at a time.

There is, it should be noted, a word of caution at the beginning of the story, warning readers that they should not attempt to concoct George's Marvellous Medicine at home!

George's Marvellous Medicine

Roald Dahl

Puffin Books

Paperback, 128 pages

ISBN 014132273X

Price £5.99 (Amazon £3.89)

Also posted on other sites.

Chocolate Mousse for Greedy Goose - Julia Donaldson and Nick Sharratt

It might seem a strange idea, a band of animals ranging from a gazelle to a moth getting together to have a meal of macaroni and carrots followed by chocolate mousse, but in the realm of children's books anything is possible. Julia Donaldson has in fact created a wonderful book bursting with rhyme, adjectives and the idea of differing personalities in Chocolate Mousse for Greedy Goose. The title is actually based on a line from one of the pages and the alliteration probably makes it the most obvious one to have been chosen.

On each page we meet a different animal, and there is one line of text at the top where the animal makes a comment on the meal they are having, such as 'Carrots – yuck!' says fussy Duck, or 'I'll lick the bowl,' says furry Mole. Most of the animals are described by an adjective: Rabbit is angry (because Goose has grabbed the mousse), whereas Moth is happy (because he can eat the cloth when all the food is gone). After the meal, helpful Pup suggests washing up, but lazy Sheep thinks it would be much nicer to have a sleep. On the final double page we see all sixteen animals snoozing on the sofa under a patchwork quilt.

The idea of all the animals being together is suggested in the illustrations, where on the extreme left-hand side we see part of the animal from the previous page, and on the extreme right-hand side is a little bit of the next animal that is coming up. Nick Sharratt's illustrations are bold and attractive for young children (although I was looking at this book alongside 'Doing the Animal Bop' and didn't find the colour scheme worked quite as well, but perhaps I'm just a fussy duck). I do, however, appreciate the expressions that he has given to the animals according to their different moods and feelings.

For me this is a super book in terms of language, especially the rhyming patterns. The adjectives too contribute a good deal, and it would be interesting to ask a young child why the white Swan is sad or why the Cow is busy. For a slightly older child, you could play a memory game after reading the book, asking which animal was shy or which was fussy, or even how the Moth was described. Because it is so concise and contains so many rhymes, children around the age of four are quite likely to memorize parts of the text or perhaps the whole book. For very young children, it is an excellent way of helping them to learn what various animals look like and it could be interesting as a tie-in with a visit to a zoo. Slightly older children might have fun trying to remember all sixteen animals after the book has been closed.

This is a very short picture book based around a clever idea and presented in an excellent way in terms of both language and illustrations. It could be read aloud to children aged from two upwards. For young independent readers, there are a few tricky words, but the illustrations will of course be a great help in enabling them to work out the names of the animals. I definitely recommend this for children aged between two and five, possibly six, and the Amazon price of £3.49 is excellent value.

Chocolate Mousse for Greedy Goose

by Julia Donaldson and Nick Sharratt

Macmillan Children's Books, 2006

Paperback, 24 pages

ISBN 140502190X

Price £5.99 (£3.59 on Amazon)

The Gruffalo - Julia Donaldson

Although entitled 'The Gruffalo', the star of Julia Donaldson's story is actually a tiny, but very clever little mouse. This mouse seems capable of outwitting any creature in the wood who has designs on making a meal of him.

As mouse takes a stroll through the wood, he meets a fox, an owl and a snake in turn. Each of them invite him back to their lair for either lunch, tea or a feast. Mouse knows full well, however, that they intend to eat him up, so he tells each one that he is meeting a gruffalo for a meal. The other creatures have never heard of a gruffalo of course, so mouse gives them a few details about his appearance to frighten them. Amongst the gruffalo's features are terrible claws, a poisonous wart on the end of his nose, and purple prickles on his back. When each animal is sufficiently scared, the mouse says what the gruffalo's favourite food is. It is not always the same, according to mouse: to fox he says it is roasted fox, to owl he says owl ice cream, and to snake he says scrambled snake. Each time this produces the desired effect of making the animal in question flee and leave little mouse alone.

As mouse continues his stroll, however, he comes face to face with the gruffalo! He is initially panic stricken, but when the gruffalo says the mouse is his favourite food, it doesn't take our tiny hero long to come up with a plan. He tells the gruffalo that everyone is terrified of mouse, and that he can prove it if the gruffalo would care to walk behind him through the wood. The gruffalo, apparently not the brightest creature, is completely taken in and follows mouse back through the wood. When they encounter snake, owl and fox, each one is alarmed by the sight of the gruffalo and disappears in a flash. The gruffalo is convinced that they are afraid of mouse. When mouse eventually announces that his favourite food is gruffalo crumble, the gruffalo cannot get away fast enough. Mouse is all by himself in the wood, having escaped his enemies, and he finds a great big nut to eat.

The charm of 'The Gruffalo' is not just in the story itself but in the delightful verse that Julia Donaldson has used as a means of imparting it to her readers. Almost the entire tale unfolds in rhyming couplets with a strong rhythm that is particularly well suited to reading aloud. As well as alliteration, there is plenty of repetition of phrases used each time mouse meets a different animal. Young children will find it easy to join in here and there as they get used to hearing the same line every so often. The font is very clear; although there is some use of italics, most of the text is printed on a white background to allow for easy reading. There are just a couple of instances where the text is on a yellow-orange background.

Axel Scheffler has provided wonderful illustrations for the story. There are several double-page spreads, including the one where an astonished mouse encounters the fearsome gruffalo, and three full-page pictures. The remaining pages have smaller illustrations, but all are in full colour. Young children will find the expressions of the animals delightful. As well as the main characters, there are a woodpecker, a kingfisher, a frog, a squirrel, a dragonfly and others to look out for.

'The Gruffalo' is intended mainly as a read-aloud picture book for children of three upwards, but could also be suitable for young independent readers. The vocabulary is varied but not too challenging, and the repeated phrases will encourage those who still lack confidence. Although the gruffalo is a large, scary animal, Scheffler depicts him in such an appealing way that young children are unlikely to be genuinely frightened by him. It might, even so, be advisable to read this during daylight hours rather than introducing it as a bedtime story.

Julia Donald has created a masterpiece of a story in 'The Gruffalo', and the book was winner of the Smarties Book Prize Gold Award for children aged 0-5 in 1999. Axel Scheffler has obviously played an important part in the success of this picture book as well. 'The Gruffalo' is a must in any household with young children, as it is likely to appeal equally well to boys and girls. Preschool classrooms are sure to have a copy for reading aloud as well as to provide inspiration for drama sessions. Highly recommended.

The Gruffalo

Julia Donaldson (author), Axel Scheffler (illustrator)

Macmillan 1999

Paperback, 32 pages

ISBN 0333710932

Price £5.99 (Amazon £3.59)