Captain Flinn and the Pirate Dinosaurs: Missing Treasure, by Giles Andreae and Russell Ayto

Flinn, a seemingly ordinary boy who likes pirates and dinosaurs, is on a school trip to see dinosaur skeletons at a museum. He and his friends are in awe of the huge skeleton of the giganotosaurus, which the guide tells them was even mightier than Tyrannosaurus Rex. They are also intrigued when the guide shows them an empty glass case from which Captain Rufus Rumblebelly's treasure was stolen the night before.

Flinn and friends follow a trail of feathers and gold coins, thinking that it might hold a clue to the treasure. It leads them into a dark cupboard and, surprise surprise, the back of the cupboard falls away. The children find themselves in the cabin of a pirate ship where Rumblebelly's grandson, Gordon Gurgleguts, has been tied up and left. He admits to having taken the treasure from the museum, but it was then stolen from him.

Gurgleguts appoints Flinn as captain of the ship, and off they set to Bag o' Bones Island in search of the thieves and treasure. The culprits are of course the pirate dinosaurs, who manage to capture Gurgleguts and threaten to barbecue him. Tyrannosaurus Rex, however, remembers his previous encounter with Captain Flinn and brings on his fearsome cousin, Gigantosaurus. This huge monster is terrified of a tiny spider hanging from Flinn's hat. Flinn seizes the opportunity to grab the treasure, free Gurgleguts and tie up the dinosaurs. It's not long before they are heading back on the ship. At the museum, the guide is delighted to see the treasure returned, but there's no way he's going to believe in pirate dinosaurs.

“Captain Flinn and the Pirate Dinosaurs: Missing Treasure” is Giles Andreae's sequel to Flinn's first adventure when he vanquished Tyrannosaurus Rex. The idea of Flinn and his friends falling through the back of the cupboard not only has shades of C.S. Lewis' “The Lion, the Witch and the Wardrobe”, but is a repetition of the way the children found themselves on a pirate ship in the previous book. The story itself is, however, full of humour and excitement, and the ingredients of pirates, dinosaurs and lost treasure are bound to appeal to many young children.

Giles Andreae has of course invented the giganotosaurus, and has included a friendly note before the story starts on the pronunciation of the name, breaking it down into six syllables. I think a fair few adults will appreciate this. “Captain Flinn and the Pirate Dinosaurs: Missing Treasure” is a great read-aloud adventure, but with lengthy dinosaur names and insults like “dastardly dunderheads”, it is not an ideal book for a child learning to read. Most of the text is in a large font, in fact some words and phrases are extra large for emphasis, but sometimes the font resembles handwriting. The text is superimposed on the illustrations, and in a few cases the background is a little dark.

Russell Ayto's illustrations are wonderful and definitely bring the story to life. He uses vibrant reds, blues and yellows alongside more muted colours, and really goes to town with the characters. The dinosaurs have huge toothy grins and evil eyes, while Gurgleguts is a round body with stick-like limbs and tiny spotted handkerchief on his head. As in the previous book, there is a colourful cross-section of the pirate ship showing mice in hammocks, a bed with a skull bed-head, and a soppy Gurgleguts hugging one of the children goodbye.

The device of the back of the cupboard falling away to get the children onto a ship was disappointing in the first story and even more so when it was repeated in “Captain Flinn and the Pirate Dinosaurs: Missing Treasure”. Nevertheless, Giles Andreae has created an adventure story that most children, certainly boys, will love. The group of four-year-olds that I read it aloud to reacted to it with plenty of enthusiasm. One of the boys had the book at home and was able to recite a little song from the book as well as join in with a few other lines here and there. It was obviously a book that he had asked to have read to him again and again. Although not a favourite picture book of mine, the humour and sense of adventure make this a story that three to five-year-olds will not be bored by. Slightly older children may enjoy it too, but a young independent reader will probably find it quite challenging. Recommended for any fans of pirates and dinosaurs.

Captain Flinn and the Pirate Dinosaurs: Missing Treasure
By Giles Andreae (Author) and Russell Ayto (Illustrator)
Paperback, 32 pages
Puffin, 2008
ISBN 9780141500492
Price £6.99 (Amazon £4.18)

If I were You, by Richard Hamilton and Babette Cole

Dad is tucking Daisy up in bed – well actually, he's in bed too and yawning. He says to her, 'If I were you, I'd snuggle down and go to sleep.' Daisy, who looks wide awake, takes this literally and they begin to talk about what would happen if Dad were Daisy and Daisy were Dad.

Daisy would read Dad a bedtime story, and Dad would wake up first in the morning and go and bounce on Daisy's bed. Daisy would dress Dad in a pink tutu and give him porridge for breakfast while she had chocolate fromage frais. Dad would have a lazy time watching television and playing while Daisy did the housework. This sounds good to Dad, but he's not sure about being taken for a walk in a pushchair wearing that pink tutu – what on earth would the neighbours think?

Dad and Daisy would go to the park, but Daisy realises she wouldn't be strong enough to give Dad a piggyback. Dad could have a great time having tea with his friends and playing games, after which Daisy would have to give him a bath. The whole story comes full circle when Daisy says she would tuck Dad up in bed and give him a big kiss. Dad thinks that a day without household chores would be fantastic, but Daisy of course realises that she is better off being herself. After all this thinking, Daisy finally drifts off to sleep and Dad can creep off and relax.

Richard Hamilton has created a fascinating tale based on the reversal of roles in 'If I were you.' It is an ideal opportunity for plenty of humour, especially when they consider the idea of Dad wearing a ballet tutu. There is no mention of Mum in the story except when Daisy suggests Dad could have tea with his friends. Mum is there with Baby, so it seems that in this family Dad gets to do all the chores and look after Daisy most of the time. Dad and Daisy do seem to have a loving and friendly relationship. Hamilton uses rhyming couplets in each situation that the pair imagine; this is an ideal way to develop a young child's feel for rhyme and love of language.

Babette Cole's illustrations make a huge contribution to this picture book. She knows exactly how to portray the humour in each situation, showing Dad with a few spiky hairs on his legs and a six-o'clock shadow when he wears the pink tutu. There are a couple of pages showing Daisy and Dad at the zoo, running along with monkeys in one of them. Here Dad, still in the tutu, clasps a bunch of colourful balloons while Daisy holds an ice cream out to him. When they are playing musical chairs after tea, we see Daisy's blue kangaroo and a pig joining in. Further down the page Dad (in his tutu, of course) gets down on all fours, Daisy balances on his back and they chase after the three bears. Dad has fun spitting out a jet of water while he's having his bath, but doesn't seem to appreciate Daisy shampooing his hair. One of the bears joins him in the bath whereas the cat dashes off at the sight of all the bubbles.

The text is set in quite a large font, and there aren't usually more than two or three lines per page. It isn't always in straight lines, however; sometimes it curves up and down, or individual words appear to jump around when Dad is bouncing on Daisy's bed. Single words are sometimes set in a larger font for emphasis. The text is always printed on a light-coloured background, so there will not be any problems deciphering it. This is definitely a read-aloud book rather than one for a child learning to read. I can imagine that a child of about seven who is a confident reader might enjoy reading it to a younger brother and sister, especially since there is so much humour throughout the book.

I have read this aloud to a group to children aged three and a half to four, who were about the right age to follow the idea of role reversal and appreciate the humour. I'm not sure that two-year-olds would quite understand the concept of the book, but they might still get some fun out of the illustrations.

Richard Hamilton has come up with an original idea for a picture book here, and I cannot think of anyone who would have provided more appropriate illustrations than Babette Cole. This is a book that can be enjoyed by the adult reading aloud as well as the child being read too. I am sure that it will appeal to many families, and I certainly recommend it.

If I Were You

Richard Hamilton (author)

Babette Cole (illustrator)

Bloomsbury Publishing PLC, 2009

Paperback, 32 pages

ISBN 9780747587576

The Star-Faced Crocodile, by David Melling

Before meeting the star-faced crocodile himself, we are introduced to a bear with a banjo sitting beside a lake, singing to the stars. The crocodile loves the song; he swishes his tail to the music and the bear sees his eyes just above the surface of the water, piercing the centre of the reflection of a star. The bear is astounded to see what he presumes is a star-faced crocodile, and every night when he sings, he tries persuade the crocodile to dance. The crocodile, however, knows that if he comes out of the lake he will no longer be star faced and will not impress the bear.

Being a rather imaginative creature, the crocodile makes a hat out of star-shaped flowers, but the petals drop out as he dances. The crocodile slithers back into the water, ashamed. When the bear asks the trees to fetch a star from the sky for him, they bring all the stars down but are so delighted by them they decide to hold on to them on a string. The crocodile manages to pull the string of stars away and plunge to the bottom of the lake. The moon is afraid of being captured too and hides behind a cloud, making the world very dark.

When the crocodile emerges from the lake with the string of stars wound around him, nobody admires him because the stars are no longer shining. The night has lost its twinkling sky, and the music and dancing have stopped too. The crocodile, the bear and the trees realise that they must put the stars back where they belong, and when they eventually complete their task the stars shine again and the moon comes out. Music and dancing fill the air once more, and then suddenly a shooting star falls into the lake, just beside the crocodile, who really does look like a star-faced creature again.

The inspiration for 'The Star-Faced Crocodile' actually came when David Melling was visiting his daughter's school and one of the children suggested a star-faced crocodile as a character for a story. Melling has certainly developed the idea into a delightful tale, where the bear doesn't mind if the crocodile is really just a plain ordinary one and just wants him to be his friend. As for the trees, they are helpful in some situations, but they have their selfish moments too when they are dazzled by the twinkling stars they have plucked from the sky.

The text of the story is set in a clear, good-sized font and is mainly on a white background. On just one page it is a pale mauve colour on a very dark ground, and on a couple of pages the background is orange. There are two sentences at the beginning of the story that are completely in capitals. On the whole there is just a paragraph of text per double page, sometimes less. This is a book that is ideal for reading aloud to a young child, but it could also be suitable for a young independent reader as the amount of text is not off-putting. The vocabulary, whilst being varied, should not pose too many problems either. The writing style goes from being quite poetic when recounting how 'A shy crocodile, drifting by, had never heard such a beautiful song' to the much more down-to-earth 'Oh flip!' exclamation when the crocodile loses his star-flower hat.

Melling illustrates his picture books himself and here he combines imagination and humour to create a visual feast. The watercolours, whether in a woodland or under-water scene, have a translucency as well as a richness of colour. Aside from the two main characters, we see caricatured trees with knobbly noses and spindly arms or tiny birds hopping and jumping around the bear's feet. Once or twice a double-page spread entails turning the book sideways so that we can see the crocodile swimming right down to the depths of the lake, or the crocodile and the bear standing at the tops of the trees as they fix the stars back up in the sky.

When I came across 'The Star-Faced Crocodile' I had high expectations and was not disappointed. David Melling's other picture books, such as 'The Kiss that Missed', 'The Ghost Library' and 'Good Knight, Sleep Tight' have proved to be very popular as read-aloud books for three-to-four-year-olds, as well as providing inspiration for drama sessions. My only reservation with 'The Star-Faced Crocodile' is that one or two of the illustrations are rather dark and those with the trees might just scare very young children. On the whole, however, the pictures are full of humour that children will delight in. This is a book that is full of fun and ideas about friendship against a background of music, dancing and starry nights. Enjoy it with your children.

The Star-Faced Crocodile

David Melling (Author and Illustrator)

Paperback, 32 pages

Hodder Children's Books, July 2009

ISBN 0340930470

Price £5.99 (Amazon £5.39)

Doing the Animal Bop - J. Ormerod and Lindsey Gardiner

Picture books often have a simple story line with a strong rhythm and plenty rhyming words: Doing the Animal Bop by J. Ormerod and Lindsey Gardiner begins 'If you like to dance and you sometimes sing, Why don't you do the animal thing?' It is hard for children to resist the urge when this is read aloud to get up and try to move in the same way as each animal that appears in these pages, jiggling and jiving, waddling like a duck or stomping like a rhino.

This is not really a story at all, more of a poem that introduces a series of animals, one on each double page, concentrating on the way they move and the sounds they make. As well as rhyme, there is onomatopoeia in the 'Craak, craak, craak' of the penguin song, and alliteration in the 'flim-flam flutter of the ostrich flounce' or the monkeys' 'jive and jiggle'. The hissing of the snake is exaggerated in the line 'you can ssssssing this ssssssong'. The chickens peck and cluck whilst the rhinos roar and rage.

On the final pages the line 'so let's end up with a great big mooo!' (because the cow can only chew) becomes so familiar that children love to join in. There is after that one more double-page illustration of the animals in silhouette dancing off into the night under the pink stars in the dark blue sky. It's as though they are off to party all night.

Both rhyme and rhythm come through in no uncertain terms, creating a lively pace. This is an ideal book to encourage children to get up and move, exercising and trying to stomp, waddle, jive or slither like a snake. You can imagine that it's probably not the best bedtime story, unless you want your child to run off a little more energy before slipping under the covers.

I absolutely love the use of colour in Lindsey Gardiner's illustrations. The backgrounds in particular are striking, and all are different colours. A pink elephant trudges along against an orange background, whilst a pale green lizard moves on a salmon pink ground. The ostrich seems to have borrowed Winnie the Witch's stripy tights, bouncing and flouncing on a deep pink background. In each picture there is a tiny mouse with a yellow tummy and tail; we meet it right at the beginning, and children can have fun spotting where it is on each page throughout the book, as it frequently tries to imitate the other animals.

This is a feast of language and colour, and a delightful way of teaching very young children about the sounds and movements of different animals. Recognising rhyming words is said to be a fundamental precursor to reading, so that is one more reason to make this an ideal book to read aloud, perhaps to children as young as two. It may not be the easiest book for a young reader to tackle, unless a particularly confident one is looking for a challenge. If you are looking for a book that will impart a love of the sounds of words to your children and at the same time get them out of their seats, this could be the ideal one.

Doing the Animal Bop

J. Ormerod and Lindsey Gardiner

Oxford University Press

Paperback, 32 pages

ISBN 0192791400

Price £5.99 (Amazon £4.49)

Peace at Last - Jill Murphy

Jill Murphy's 'Peace at Last' is the story of Mr Bear's quest for a quiet night's sleep. The book appears to feature the three bears of Goldilocks fame: Mr Bear, Mrs Bear and Baby Bear, who are first seen at the end of the day, very sleepy, then making their way up the stairs to bed.

Mrs Bear falls asleep straight away, but she begins to snore heavily and sleep therefore eludes Mr Bear. He decides to go and spend the night in his son's room, but finds Baby Bear still wide awake, playing aeroplanes and making 'NYAAOW' noises. So it's back downstairs for Mr Bear, where he goes from the living-room to the kitchen to the garden, but each place has its annoying noises that foil his attempts to go to sleep. He eventually tries the car, finds it cold and uncomfortable but begins to drift off. Almost immediately, the sound of the birds and the strong sunshine disturb him. He goes back to his own bed where he does find 'Peace at Last' as Mrs Bear has stopped snoring. But how much time is left before the alarm clock rings?

Mrs Bear brings her husband a 'nice cup of tea', unaware of his sleepless night. Baby Bear is of course full of beans first thing in the morning, and jumps on his parents' bed, brandishing the post. Poor Mr Bear is not amused.

Although sleepless nights are perhaps a problem that affects adults more than children, this is a good book to enjoy reading aloud together, and young children find the idea of trying to sleep in the garden or the kitchen amusing enough. I've recently read this story to a small group of four-year-olds and asked them afterwards to try to remember all the different places where Mr Bear tried to go to sleep and what noise disturbed him in each of those places. I was impressed that they remembered the snoring, the aeroplane noises, the cuckoo clock, the drip of a leaky tap, the hum of the fridge, the sound of the animals and birds in the garden, everything in fact except for the alarm clock.

Jill Murphy's illustrations for her picture books are always of the highest standard and have obviously had a great deal of time, thought and care devoted to them. My only comment on the illustrations in 'Peace at Last' is that they are of necessity all in rather gloomy colours because the story takes place during the night. They do not lack in quality in any way, but they may not appeal to young children quite as much as more brightly coloured pictures would.

The full-page illustrations are in each case on the right-hand-side of a double page, with a small amount of text and one or two miniature black-and-white drawings adding information on the facing left-hand page. One or two of the left-hand pages actually feature white text on a black background to emphasise the idea that the story takes place at night.

'Peace at Last' is primarily a story to be read aloud to children aged from around two-and-a-half to five-years-old. As the amount of text on each page is not too daunting and the facing illustrations give obvious clues as to what is happening, this might make a suitable book for a young reader aged five to seven who is gaining in confidence. I have recently said that it is hard to go wrong with David Melling, and I would certainly say the same about Jill Murphy.

Peace at Last

by Jill Murphy

Macmillan Children's Books, 2007

Paperback, 36 pages

ISBN 0230015484

Price £5.99 (Amazon £3.59)

Just Like You - Jan Fearnley

Jan Fearnley's 'Just Like You' is the delightful story of Mama Mouse and Little Mouse walking home to bed as the sun is setting. On their way they pass five other families of animals that are settling down for the night. Little Mouse notices in each case that one of the parents is telling the babies what they will do to look after them. Everything sounds so impressive that Little Mouse feels that the babies must be very special. Each time Mama Mouse tells her offspring that they are all indeed very special, 'Just like you'.

First they pass under a tree where a mother bird is telling her chicks in the nest that she will fly as high as the clouds and across the sky to find the best food for them. Then they come to a pond where Daddy Frog is settling the froglets under a lily leaf for the night. He promises to jump sky high and find the juiciest bugs for them. Little Mouse doesn't like the idea of the bugs but is still impressed. Further along the way, a mother rabbit and her kittens are basking in the sun's last rays of the day. The mother claims that she will dig the deepest burrow to keep her babies 'safe as treasure' and warm. Little Mouse thinks this sounds like hard work.

Down by the seashore, Mama Seal is singing a lullaby to her one and only pup. She boasts that she will dive deep to find shells, corals and fish for him. The last family that Mama Mouse and Little Mouse see is the family of foxes. Father Fox says he will run so far and fast that he will be able to protect his babies from any danger.

By the time the mice arrive home, Little Mouse is looking very thoughtful. As he gets ready for bed, he wonders what Mama Mouse will do for him, since she can't fly, jump, dig, dive or run. Maybe he is not special? Mama Mouse, however, assures him that she will tell him stories, play with him, feed him, cuddle him and even be extremely cross when he is naughty. Most of all, she will always love and care for him. Little Mouse goes to bed happy, feeling very special, and whispers that Mama Mouse is also very special, just like him.

Fearnley's story is a particularly sweet one for the very young. It is an ideal bedtime story because we see Little Mouse being tucked in bed right at the end, as well as the other animals settling down for the night earlier in the book. It is also an excellent story for introducing a small but varied group of animals that each have their own special skills that young children can learn about. The adult that has read to the child could ask if they can remember which animal can dive, which can jump, or which can run fast. A child might also learn from this book that a baby rabbit, just like a baby cat, is called a kitten, and that a baby seal is a pup.

I have the Mini Book version in which the font used for the text is rather small, but 'Just Like You' is available in a larger format. Some pages have two or three lines of text, some have only one and a few have five, so there is never a huge amount to read before moving on to the next page. The text is often superimposed on the illustrations but always on a light colour, so there is no difficulty in deciphering it. Although this is essentially a book to read aloud, young independent readers might enjoy it too.

Fearnley's accompanying watercolour illustrations are absolutely charming. We see Little Mouse trying to imitate Daddy Frog laughing and leaping, while Mama Mouse watches, hands on hips. A cross section of a warren depicts a mole banging on his ceiling with a broom as a rabbit in the hole above prances around playing on a pipe. On another page, a baby fox rolls in the grass, another is climbing all over his dad, and a third is offering him a poppy. On several pages there are extra little creatures to spot such as butterflies, ladybirds and a squirrel.

'Just Like You' makes a refreshing change from cartoon characters, dinosaurs and aliens should you or your children be growing tired of those. Unless you find a small font to be a problem, it is definitely worth buying the Mini Book for £1.99. The larger format is £5.99 (slightly discounted on Amazon). I would recommend it as a gentle bedtime story for those with a love of animals and the countryside.

George's Marvellous Medicine - Roald Dahl

Any child who has been left to the tender mercies of a difficult elderly relative will immediately identify with Roald Dahl's hero, eight-year-old George. George's family have a farm and there are no friends around to play with at weekends. When his mum goes shopping one Saturday morning, George is left alone with his obnoxious Grandma.

It would be hard to have any feelings of tenderness for George's Grandma. She moans constantly and never has a smile or a kind word for George. Even when he makes her a cup of tea, she grumbles about the sugar and makes a fuss about having a saucer and a teaspoon, even though George has already stirred the tea for her. After criticizing George for growing too fast, she scares the living daylights out of him by suggesting she has magic powers that could make his fingernails drop off and teeth grow there instead.

George rushes off and shuts himself in the kitchen to plan what he might do to 'shake the old woman up a bit'. He has a wonderful idea. He is due to give Grandma a spoonful of her medicine at eleven o'clock, and he decides to concoct a magic medicine to replace her usual one. George bursts into poetry as he hatches his plan. He goes from room to room in the house with a large saucepan, emptying in all the lotions and potions he can lay his hands on, with the exception of those in the forbidden medicine cupboard. George's Marvellous Medicine contains everything from shampoo to floor polish to canary seed. Even the shed and the garage are raided for anything from sheepdip to engine oil. George cooks it all up on the stove and finds himself chanting a magical verse.

The time comes for Grandma to have her spoonful. As soon as she swallows it, she shoots up out of her chair and then comes straight back down again. When she complains that she is on fire, George pours water down her throat. Strange things happen after this, and Grandma ends up several times her normal height with her head sticking up through the roof of the house.

Most boys would be in terrible trouble for causing such commotion but George's dad, being a farmer, wonders if he can use the medicine on his animals to make them super sized too. There might be a problem, however: will George be able to remember exactly what ingredients and in what quantities were in his original Marvellous Medicine? If not, might the medicine have different consequences?

Roald Dahl has created a fantastic tale in 'George's Marvellous Medicine'. Any reader will feel revulsion towards the nasty piece of work that is George's Grandma, and children in particular will sympathize with George's plight at the outset and cheer him on as he concocts his weird and wonderful mixture. Descriptive language and imaginative ideas will delight and entertain readers young and old.

As always, Quentin Blake's illustrations make a distinctive contribution to 'George's Marvellous Medicine'. Grandma certainly resembles a witch, and we see her aghast as she shoots out of her chair, then deformed in various ways as the medicine works its magic. Little George is sketched in the simplest of ways, yet his expression conveys immediately his feelings at different points in the story, whether scared, delighted or amazed.

'George's Marvellous Medicine' is just over a hundred pages long, but the text is set in a large font and there are so many illustrations that the book will not be daunting for a young independent reader. The sentences are on the whole quite short, and there is a fair amount of dialogue to keep a child interested. The longest chapter is about twelve pages, but even then progress is fast because of the number of illustrations.

This is not a story that has to wait until a child is old enough to read it alone, of course. It is a wonderful one to be shared between parents (or grandparents) and their children as a read-aloud book. As it was first published in 1981, some parents may remember it from their own childhood; if not, it will be a hilarious discovery for two generations at a time.

There is, it should be noted, a word of caution at the beginning of the story, warning readers that they should not attempt to concoct George's Marvellous Medicine at home!

George's Marvellous Medicine

Roald Dahl

Puffin Books

Paperback, 128 pages

ISBN 014132273X

Price £5.99 (Amazon £3.89)

Also posted on other sites.

The Three Wishes - David Melling

When a king and queen go away for a few days and appoint their knight and his horse as babysitters to the prince and princess, it sounds like an easy task. Soon, however, the knight and his steed find there is too much tidying up to do, and the knight says he would rather fly out into a 'night of surprises' than babysit any longer. The horse is afraid that magic might indeed make them fly out of the window, and it does.

Outside, they land on top of an old lady riding a donkey. Her bag of spells spills, so she offers the knight and his horse three wishes if they can catch the spells for her. This is another task that is not so simple, but they manage it. The grateful old lady and her donkey vanish in a puff of smoke, leaving magic in the air.

Unfortunately, one extremely naughty spell is still on the loose. It teases the poor knight, making plants grow out of his hair. He asks the horse to make a wish, but the horse thinks of himself and asks for a bucket of carrots and some fluffy slippers. The knight says, 'I wish you hadn't done that,' thus squandering the second wish. He and his horse are not pleased with each other, but they agree to make the third wish together. Oh dear, the knight then has carrots growing from the extremely long plants in his hair, along with the fluffy slippers on his feet. The horse ends up wearing the knight's armour but the knight soon gets it back. The horse trims the unruly carrot plants into a neat shape, but they just grow back again. Fortunately, the prince and princess hear all the noise and come out to see what is going on. They simply pull the carrot plants out by the roots and lead the knight and his horse back inside the castle. The next day finds them all busy doing some DIY and happily play acting. Babysitting doesn't seem so bad after all, although the horse secretly wishes he could have those carrots and fluffy slippers again.

'The Three Wishes' is not of course the first story about being granted wishes and wasting them, but David Melling serves up his version with originality and plenty of humour. His illustrations are always a delight. As the story starts, you feel almost as though you are turning the pages of a mediaeval manuscript. At various stages of the book, we see the knight with a banana skin on his head, a carrot tree growing out of his hair, and down on his hands and knees giving the little princess a ride on his back. The colour scheme throughout centres around autumnal greens, oranges and browns, although the old lady wears a blue dress and the princess has a pink nightie. The horse in his various ridiculous situations will be a great source of amusement for any child.

The text is in a large, clear font and usually on a white background. When it is superimposed on an illustration it is always on a light colour to make for easy reading. There are never more than a few lines per page, but occasionally the lines swirl around, following for example the movement of the really naughty spell. This is of course a read-aloud book, but because of the strong element of humour I'm sure that young independent readers would enjoy it too.

'The Three Wishes' is a sequel to Melling's 'The Kiss the Missed' and 'Good Knight, Sleep Tight', both of which are also very popular with three- to four-year-olds. This is a lovely series that most adults will enjoy sharing with young children. I borrowed a copy of 'The Three Wishes' from the library, but I would say that it is worth buying and could make a great Christmas present. If your family hasn't yet enjoyed the magic of David Melling's picture books, I would definitely encourage you to do so.

The Three Wishes

David Melling

Paperback, 32 pages

Hodder Children's Books, 2008

ISBN 9780340931530

Price £5.99 (Amazon £4.49)

Where the Wild Things are - Maurice Sendak

'Where the Wild Things are', written and illustrated by Maurice Sendak, must be one of the most popular picture books of the last fifty years. Winner of the Caldecott Medal for the Most Distinguished Picture Book of the Year in 1964, it doesn't seem dated at all forty-five years later and maintains its appeal to children of a wide age range.

Max, not a big boy by any means, dresses up in his white wolf suit and gets into so much mischief that he is sent to bed with nothing to eat. First a forest grows in his bedroom, and then an ocean appears with a private boat for Max to sail in. After a year he comes to the place where the wild things are. Unabashed by their roaring, gnashing of teeth and showing of claws, he tames them and becomes their king. Having had fun with them, he sends them to bed without any supper. Max then realises how lonely and hungry he is and insists on sailing home. Back in his room after another long journey, he finds his supper there, ready and waiting for him.

Does Max fall asleep for a while and dream about the wild things? Or does his imagination simply run riot? Whatever the answer may be, almost every child can identify with Max. The urge to dress up and be naughty, the defiance on being sent to bed without supper: Max will arouse sympathy. He becomes a hero when he shows no fear on encountering the wild things and is crowned as their king. He is then the all-powerful one who can send them to bed hungry. What a position to be in. Or is it? He is a little boy after all, and adventure is a wonderful thing but when it's over he wants the comforts of home. It's all so reassuring; you can go home when you're ready and food will be there.

Maurice Sendak's illustrations for 'Where the Wild Things are' make a huge contribution to the book. Before the story begins, the title page shows a valiant Max chasing two wild things that are much bigger than him. One of them has a stripy jumper, scaly legs, long claws, a ridiculously long tail, and horns. The jumper just takes the edge off his potential to scare. Max is seen sailing the ocean and encountering a sea dragon, dancing in the moonlight, hanging from a tree alongside the wild things. Colours are muted pinks, browns, yellows, greens and blues. The brightest thing is Max's sailing boat with its red hull and yellow sails. Many of the pictures feature painstaking cross-hatching, including the entire double-page spread of jungle flowers at the beginning and end of the book.

The design of the book as regards the balance of text and illustrations is particularly fascinating. On the first eight double pages, the text appears on a white background on the left-hand side whilst the picture is on the right. The first picture takes up less than half a page, but the size of the illustrations increases gradually until on the eighth page it covers the whole of the right-hand side as well as about a third of the left-hand side. On the following three double pages, the picture spreads right across the width and the white border at the bottom becomes narrower and narrower. The text appears in this border on both sides of the page. There are then three double pages that consist entirely of illustrations that show Max and the wild things enjoying their rumpus. These present an ideal opportunity for the child that has been listening thus far to fill in this part of the story or talk about it to the adult who has been reading. The last few pages of the book reverse the process of the first section, until we have a white page with text on the left and a whole-page picture on the right. The final page of the story has just a half sentence of text and no picture at all, as if to finish on a teasing note.

'Where the Wild Things are' is a wonderful story to read aloud to children from the age of three upwards, and by the time children are able to read themselves it is likely that they will still have an interest in this book. The fact that the text is printed throughout on a white background in a bold font makes it very clear to see. There are never more than three lines of text per page, so a young reader will not be discouraged by large blocks of text. There are, however, some extremely long sentences that run from one page over to the next.

Maurice Sendak's story can also lend itself readily as a resource for drama sessions with groups of young children. They will delight in pretending to be wild things that roar, roll their eyes and show their frightening claws. They can bow to Max, dance and play with him, then try to scare him again as he prepares to sail home.

Children who enjoyed this book when it was first published in 1963 have no doubt taken pleasure in reading it again to their own children, and perhaps even one or two grandchildren by now. The combination of fantasy, adventure, mischief and finally seeking home comforts have made 'Where the Wild Things are' a classic picture book that is likely to remain a favourite for many generations yet to come.

Where the Wild Things are

Maurice Sendak (Author, Illustrator)

Paperback, 48 pages

Red Fox, 2000

ISBN 9780099408390

Price £5.99 (Amazon £4.49)

The Scallywags - David Melling

No, they're not naughty children: these Scallywags are a pack of wolves. We see all nine of them curving over the double-page spread of the frontispiece in a line. Brooz is pushing Jumble in a wheelbarrow, and they are followed by Earwax and YoYo, each holding onto the tail of the wolf in front with their teeth. Knits, along with her babies, knitting wool and needles has YoYo's tail in her hand while Scribble, behind her, has designs on the banana in Knits' hand. Scribble is followed by Hairball and then Grub, whilst poor Crumbs brings up the rear but is being dragged along the ground. They look friendly but capable of all sorts of mischief.

As the story begins, we see all the other animals: bears, pigs, geese, sheep, foxes, rabbits, meerkats and a moose. They are all lined up ready to have their photograph taken in the light of the full moon, and the photographer decides that he can wait no longer for the wolves or the special silver light will be gone. Turn the page, and the wolves crash in on the scene, sending all the other animals flying, along with the photographer. The following morning the animals are so angry that the wolves ruined the photo that they decide not to invite them to breakfast. They never liked the wolves' bad manners anyway. When the wolves realise they are no longer being asked along to meals, they try playing on their own but come to the conclusion that they need to learn good manners so that the other animals will like them.

After spying on the other animals to see how to do things properly and then practising hard at home, the Scallywags dress in their very best and go to have supper with the other animals. The trouble is, however, they are just too fussy, and the other animals wish they could have the fun-loving Scallywags back. As the full moon comes out the wolves become restless and return to their old ways, and the other animals can enjoy themselves so much more. The photographer even succeeds in getting his photo this time.

David Melling's picture books never fail to delight, in terms of story, characters and illustrations. The Scallywags is full of humour, as Earwax squashes a pea on Jumble's nose or decides to use a toothbrush to clean his ears. Every single page has colour illustrations showing animals wearing silly hats, having a bath on a balcony, or sitting upside-down on a car seat playing with a broken steering wheel. The caricatures are wonderful and the colours very varied but not too garish.

This is essentially a book to be read aloud to a child of perhaps three years old up to five or six. The font is quite large and well-spaced, with just a few lines of text on most pages. Sometimes the text is on a cream-coloured background, but on other pages the text is superimposed on a full-page illustration, on a turquoise or brown background. It is not always in straight lines; sometimes the line of text itself curves, and sometimes a single word, such as 'nipped' or 'popped', has letters that jiggle around. This adds to the fun but might be challenging for a young reader. The vocabulary is varied and would be interesting for a confident young reader to attempt, but words such as 'nincompoops' or 'delicious' will be tricky for children who are just beginning to learn to read independently. They will enjoy the book more when sharing it with an adult.

I have used 'The Scallywags' as a basis for a drama session with a group of four-year-olds. It is an ideal book for a largish group because there are so many characters. But there is also a huge amount of fun to be had while acting it out; most of the children wanted to be wolves, but a few of the quieter ones were glad to take the parts of the other animals. After reading or acting, it is interesting to talk about how it's a good idea to have some manners, but if you take things too far and criticise every little mistake your friends make, they might not enjoy your company so much.

I would say that 'The Scallywags' is a book that can appeal to boys or girls alike, and I'm sure most adults will enjoy reading it aloud and pointing out all the hilarious details in Melling's illustrations. I borrowed a copy from a library, but I think it is a book that will stand a few readings and therefore may be well worth buying.

The Scallywags

by David Melling

Hodder Children's Books, 2007

Paperback, 30 pages

ISBN 9780340884065

Price £5.99 (Amazon £4.49)

Fantastic Mr Fox

Roald Dahl is the grand master of the children's story. First published in 1970, 'Fantastic Mr Fox' may not have the reknown of 'Charlie and the Chocolate Factory', but it is a tale full of excitement and imagination. After almost forty years, it can still compete with the best of children's literature that is being published today.

Before we even meet Mr Fox, Roald Dahl introduces us to three obnoxious farmers who go by the names of Boggis, Bunce and Bean. Dahl really goes to town with his characterization here. Farmer Boggis keeps chickens and is a prime specimen of obesity because he eats three whole chickens along with dumplings for breakfast, lunch and supper every day. Farmer Bunce, on the other hand, has thousands of ducks and geese. He is a pot-bellied dwarf whose diet consists of doughnuts stuffed with goose liver paste. He seems to persist with this regime even though he has a stomach ache and a bad temper because of it. Lastly, there is Farmer Bean who keeps turkeys and has an apple orchard. No, he doesn't eat turkeys: he merely brews cider from his apples and drinks it by the gallon. He is extremely thin but very clever. These three farmers are so despicable that the local children chant a rhyme about their meanness when they see them. It is actually quite surprising that they manage to co-operate with each other, given their unpleasantness.

Co-operate they must, however, if they are to have any chance at all of outwitting Fantastic Mr Fox. Mr Fox has a wife and four little foxes to feed, and every evening he asks Mrs Fox whether she would like a chicken, a duck, a goose or a turkey. He then steals off to the appropriate farm and brings back the chosen bird. He is a wily creature who approaches the farm with the wind blowing towards him, so he will pick up the scent of a farmer lying in wait with a shotgun and quickly change direction.

Boggis, Bunce and Bean are furious and eventually decide they must hide outside Mr Fox's hole and shoot him as soon as he emerges. The story follows their frustrated attempts to do away with Mr Fox and his family, who always manage to dig further down and evade the farmers. The foxes are horrified when tractors are brought along to dig them out, but Mr Fox comes up with a plan to dig tunnels along to each of the farms and steal enough food and cider for a party. Help is enlisted from other animals, all of whom are invited to a great feast. Even the rabbits come along to enjoy great bunches of carrots.

Foxes are often portrayed as villains in children's stories, 'Chicken Licken' being a good example. In 'Fantastic Mr Fox', however, we find ourselves rooting for the family of foxes in the face of the drastic measures taken by the three loathsome farmers. The story moves along at a fast pace through chapters of about half a dozen pages each, and it's unlikely any child will have the chance to get bored.

Quentin Blake's wonderful illustrations contribute hugely to bringing the story alive. The animals are seen as life-size in comparison to the chickens, ducks, geese and turkeys. Mr Fox sports a stylish jacket and neck tie while Badger wears a waistcoat. Snouts and eyes are exaggerated, and the animals more often than not have beaming, enthusiastic smiles. The farmers, on the other hand, are grumpy, miserable souls. The illustration of two tractors with their headlights beaming makes them look like two monsters with sets of fangs, ready to gobble up an creature that should get in their way.

'Fantastic Mr Fox' is intended as a read-aloud story for children aged three to seven, or as a read-alone book for those aged nine to twelve. Three might be a little young, especially to listen to the whole story at one sitting. A confident independent reader younger than nine might easily tackle the book, as the text is set in a large font, sentences are short, and of course there are delightful illustrations on almost every page.

This may not be Roald Dahl's most famous children's story, but it is certainly one worth introducing to a young child. They will delight in poking fun at the farmers and enjoy following the thread of the animals working together to outwit them. There is never a dull moment in 'Fantastic Mr Fox'.

Fantastic Mr Fox

by Roald Dahl

Paperback, 96 pages

Puffin, 2007

ISBN 0141322659

Price £4.99 Amazon £3.19

Everyone is special

Jan Fearnley's 'Just Like You' is the delightful story of Mama Mouse and Little Mouse walking home to bed as the sun is setting. On their way they pass five other families of animals that are settling down for the night. Little Mouse notices in each case that one of the parents is telling the babies what they will do to look after them. Everything sounds so impressive that Little Mouse feels that the babies must be very special. Each time Mama Mouse tells her offspring that they are all indeed very special, 'Just like you'.

First they pass under a tree where a mother bird is telling her chicks in the nest that she will fly as high as the clouds and across the sky to find the best food for them. Then they come to a pond where Daddy Frog is settling the froglets under a lily leaf for the night. He promises to jump sky high and find the juiciest bugs for them. Little Mouse doesn't like the idea of the bugs but is still impressed. Further along the way, a mother rabbit and her kittens are basking in the sun's last rays of the day. The mother claims that she will dig the deepest burrow to keep her babies 'safe as treasure' and warm. Little Mouse thinks this sounds like hard work.

Down by the seashore, Mama Seal is singing a lullaby to her one and only pup. She boasts that she will dive deep to find shells, corals and fish for him. The last family that Mama Mouse and Little Mouse see is the family of foxes. Father Fox says he will run so far and fast that he will be able to protect his babies from any danger.

By the time the mice arrive home, Little Mouse is looking very thoughtful. As he gets ready for bed, he wonders what Mama Mouse will do for him, since she can't fly, jump, dig, dive or run. Maybe he is not special? Mama Mouse, however, assures him that she will tell him stories, play with him, feed him, cuddle him and even be extremely cross when he is naughty. Most of all, she will always love and care for him. Little Mouse goes to bed happy, feeling very special, and whispers that Mama Mouse is also very special, just like him.

Fearnley's story is a particularly sweet one for the very young. It is an ideal bedtime story because we see Little Mouse being tucked in bed right at the end, as well as the other animals settling down for the night earlier in the book. It is also an excellent story for introducing a small but varied group of animals that each have their own special skills that young children can learn about. The adult that has read to the child could ask if they can remember which animal can dive, which can jump, or which can run fast. A child might also learn from this book that a baby rabbit, just like a baby cat, is called a kitten, and that a baby seal is a pup.

I have the Mini Book version in which the font used for the text is rather small, but 'Just Like You' is available in a larger format. Some pages have two or three lines of text, some have only one and a few have five, so there is never a huge amount to read before moving on to the next page. The text is often superimposed on the illustrations but always on a light colour, so there is no difficulty in deciphering it. Although this is essentially a book to read aloud, young independent readers might enjoy it too.

Fearnley's accompanying watercolour illustrations are absolutely charming. We see Little Mouse trying to imitate Daddy Frog laughing and leaping, while Mama Mouse watches, hands on hips. A cross section of a warren depicts a mole banging on his ceiling with a broom as a rabbit in the hole above prances around playing on a pipe. On another page, a baby fox rolls in the grass, another is climbing all over his dad, and a third is offering him a poppy. On several pages there are extra little creatures to spot such as butterflies, ladybirds and a squirrel.

'Just Like You' makes a refreshing change from cartoon characters, dinosaurs and aliens should you or your children be growing tired of those. Unless you find a small font to be a problem, it is definitely worth buying the Mini Book for £1.99. The larger format is £5.99 (slightly discounted on Amazon). I would recommend it as a gentle bedtime story for those with a love of animals and the countryside.

Winnie's Midnight Dragon

I have long been a fan of Valerie Thomas's delightful tales of Winnie the Witch and her beloved cat Wilbur, as well as Korky Paul's hilarious illustrations. On a recent visit to the library, I was surprised to find Winnie's Midnight Dragon, which had up until then escaped my attention.

The story begins with Winnie going to bed as the clock strikes midnight; Wilbur is of course curled up in his basket at the foot of the bed. His slumbers are, however, soon disturbed by a strange noise in the garden and he goes to the cat flap to investigate. Poor Wilbur is terrified to see a baby dragon's nose poking through and puffing out smoke. As the dragon makes his way in, Wilbur turns backward somersaults and runs away. Unfortunately, the baby dragon sees this as a game and chases Wilbur, causing the grandfather clock to wobble and a suit of armour to crash down the stairs.

Wilbur wakes Winnie up and she is horrified to find her broomstick on fire. She has to use her magic fast, but the first spell goes wrong and the little dragon breathes out butterflies instead of smoke. More chasing ensues, and Winnie's belongings are smashing and crashing. Winnie, at the end of her tether, goes up onto the roof to call for the dragon's mother, but first she must magic an enormous moon to provide enough light for the baby to be seen. All ends well, and Winnie and Wilbur are eventually able to get back to bed as the day dawns.

The story is full of fun and certainly lives up to expectations. It is of course intended as a read-aloud book. Most pages feature just a few lines of text superimposed on the illustrations. Wherever possible, the text appears on a light coloured background, but in one or two cases the background is grey, purple or orange. I personally had no problem reading these pages. The font itself is quite large and clear, and whenever the word 'Abracadabra!' is used it is set in a larger font that has the appearance of a hand-written word. This could be an interesting book for a confident young reader to tackle alone, especially as the story is such fun and the illustrations are full of humour.

Korky Paul lets his imagination run riot when he illustrates Valerie Thomas's stories. Winnie has hairy legs half covered by yellow and orange striped socks under her pointed blue slippers. Wilbur is a sight to behold as he jumps in fright and runs away from the baby dragon, yelling and wide-eyed. The little dragon has a toothy grin and seems oblivious to the havoc he is creating as he goes after the butterflies. Some of the pages are predominantly in grey and purple hues as the story takes place at night, but things are brightened up by the orangey-yellow dragon as well as Winnie's patterned accessories and the colourful butterflies. Not to be forgotten, of course, are the charming illustrations for the front endpapers by Katherine Guo as well as for the back endpapers by Fabienne Derk; both were ten-years-old at the time.

I read this to a small group of four-year-old children who then had great fun acting out the story. They were able to exaggerate Wilbur's cries of 'Meeoww!' and shout out 'Abracadabra!' each time Winnie cast a spell. The part of the baby dragon is also highly amusing as he spends most of his time chasing either Wilbur or the butterflies.

The tales of Winnie the Witch never disappoint, and Winnie's Midnight Dragon is no exception. I would wholeheartedly recommend this as a picture book to read aloud to children from the age of about three, and because of the humour involved, up to perhaps six or seven. Definitely one to borrow from the library, but also an idea for a gift which I am sure would be appreciated.

Winnie's Midnight Dragon

by Valerie Thomas (author) and Korky Paul (illustrator)

Paperback, 32 pages

Oxford University Press, 2007

ISBN 019279101X

Price £5.99 (Amazon £4.99)

Pumpkin Soup by Helen Cooper

It might seem a strange combination, but a bagpiping Cat, a Squirrel with a banjo and a small singing Duck live together, seemingly in harmony, in a little house in a wood. We first see them through the window, have great fun together.

Their diet consists mainly of pumpkin soup – homemade, of course. Each has a particular task in the process: Cat slices the pumpkin, Squirrel stirs in the water and Duck tips in just enough salt. This never changes. There appears to be domestic bliss as they slurp their soup, play their song and cuddle up in bed with a quilt made by a joint effort. But the fact that duck still has his eyes open in bed gives us a clue that there is a current of dissatisfaction beneath the calm surface.

Duck has aspirations to be Head Cook, so one day he gets up early and makes the spoon hanging on the wall fall with his beak – 'KER-PLONK! Down it clattered'. In the bedroom Duck announces that it is his turn to stir the soup. A huge row ensues as the others don't want to change the way they do things. Signs and symbols in the illustration suggest that they are shouting unrepeatable words.

Duck packs his things in a barrow and leaves. Cat and Squirrel are initially angry but sure he will return. Duck, however, doesn't come for breakfast or lunch. Cat watches the door and Squirrel paces the floor until soup-time. The soup they make without Duck is too salty; they're not hungry and tears drip into the soup. The picture on this page shows Squirrel looking at his tearful reflection in his spoon. Realising they should have let Duck stir, they decide to go and look for him.

Searching the scary dark woods, Cat and Squirrel fear for Duck alone with foxes, wolves, witches and bears. They are afraid he fell over a cliff edge, but Squirrel finds nothing when he climbs down a rope to see. Duck, they think, may have found some better friends who allowed him to help – the picture here shows mice and birds queueing up at Duck's well-lit soup kiosk. They head for home, and I can assure you that the story ends happily, except that Duck wants to have a go on the bagpipes after supper...

The text is well broken up with charming little illustrations that I can imagine may appeal more to some young children than the pictures that take up full pages. Most parents will delight in these, I'm sure. The pumpkin, Squirrel and the quilt are all painted in warm, orangey-brown tones that give a cosy feel in contrast to the scenes of the wood where scary creatures and witches threaten the wanderers. It is easy to see why this book won the Kate Greenaway Award for Children's Illustration.

This is definitely a book to be read aloud, probably to children aged three up. It would be a difficult one for a child learning to read, as there is quite a bit of text on some pages along with a few lengthy words such as 'embroidered' and 'bagpiping'. It would, however, be an interesting challenge for a very able child who finds the usual reading-scheme books too easy.

The story of course deals with issues such as taking turns and allowing others to have a go at tasks or activities that appeal to them even if they may not be very skilled at first. It shows how angry we can be when we are selfish, but how sad we feel when we realise how much we have upset someone after they have gone away. Bravery is shown by Cat and Squirrel as they venture through the dark wood, and even more so when Squirrel descends the cliff face. Many lessons there, then, but it is overall a very enjoyable story with a touch of humour to end with.

I think it must be clear by now that I do thoroughly recommend this picture book. I have also used it as a basis for a drama session with three- to four-year-olds; there are only three main roles, but the other children enjoyed pretending to be witches or wolves and making scary noises. It lends itself particularly well to the wintery season and would make an ideal Christmas present. Otherwise, borrow from the library as I did.

Pumpkin Soup by Helen Cooper

ISBN 0552545104

£5.99 (£4.49 on Amazon)

Winnie flies again

Having been spellbound by Valerie Thomas's original Winnie the Witch story, I was sure I would enjoy other books in the series just as much; the second one I read was Winnie Flies Again. Hoping that Winnie's beloved cat Wilbur would again feature prominently, and that Korky Paul would provide the illustrations, I was not disappointed on either score.

It is no surprise to find that Winnie travels by broomstick, or that Wilbur accompanies her, sitting on her shoulder. Imagine the freedom, with no traffic lights to tie you down. However, at one time the skies were empty, but of course they eventually become chock full of helicopters, hot-air balloons, aeroplanes and rockets. One day Winnie has a nasty collision with a helicopter, and poor Wilbur loses two of his whiskers. Further accidents ensue: Wilbur's tail is bent by a hang glider, and then he loses a clump of fur as Winnie crashes into the turret of a very tall building. Winnie herself is left hanging from her broomstick by her legs, and she decides that action must be taken.

When Winnie waves her wand, the broomstick is transformed into a bicycle. Pedalling proves to be hard work, and Winnie lands in a pond. She experiments with a skateboard and then a horse, but they both turn out to be equally hazardous. Winnie and Wilbur eventually decide to walk home, but even then Winnie falls down a hole. She decides that a cup of tea and a muffin are in order, not forgetting a saucer of milk for Wilbur of course. Neither of them get what they are after, but Winnie is in fact offered a solution to her problem. If you want to know what it is, you will have to read the book.

The story is full of mishaps, and this has allowed Korky Paul to go to town with his illustrations. If you have never seen Winnie the Witch, you might be surprised by her attire. She has yellow and red striped tights on her spindly legs, ridiculously pointed blue shoes, and a pointed hat decorated with stripes, stars and moons rather than the usual plain black variety. Her nose is long, pointed and red. Splashes of bold colour stream across the page whenever she waves her wand. Many of the illustrations are double spreads, and we sees an aviator, an Indian and a pirate as well as bird's eye views with towering turrets.

It all sounds so unfortunate, but there is plenty of humour here whilst our sympathy goes out to the characters, especially Wilbur, who has a pretty thin time of it. Children love the story as well as the riotous, colourful pictures that go alongside it. You cannot really go wrong reading aloud the Winnie the Witch series of books to children; it certainly doesn't have to be Hallowe'en. I would say that a suitable starting age is probably three, going up to five or six.

This is an ideal book to read aloud, and possible a suitable one for a fairly confident young reader as well. There isn't a huge amount of text on each page, in fact sometimes there are as few as three lines on a double page. The pictures would probably do a lot to encourage a struggling reader to continue to the end of the story.

If you know and love the Winnie the Witch stories, there is a six-in-one collection of them available at £14.99, or as little as £9.89 on Amazon. If you are yet to make the acquaintance of Winnie and Wilbur, this story is available for £4.49 on Amazon. I recommend it without the slightest hesitation.

Winnie Flies Again

by Korky Paul (illustrator) and Valerie Thomas (author)

Oxford University Press

Paperback, 32 pages

ISBN 0192726463

Price £5.99 (Amazon £4.49)