Tell me something happy before I go to sleep - Joyce Dunbar

'Tell me something happy before I go to sleep' by Joyce Dunbar tells the story of Willa, a young rabbit (depicted as a soft toy) who cannot get to sleep and seeks comfort from her elder brother Willoughby. Willa is afraid she will have bad dreams, so Willoughby encourages her to think of something happy instead.

Willia crosses her ears over her eyes to concentrate, but she can't think of anything happy, so she askes Willoughby to suggest something. Willoughby, who is sitting up reading in the top bunk, tells Willa to look under her bed. Willa sees her chicken slippers there, which her brother reminds her are waiting for nobody's feet but Willa's. Willa agrees that this is a happy thought, but she is not easily satisfied and asks for another one.

Willoughby draws her attention to a chair, where his sister's jumpsuit is longing for tomorrow when Willa will jump up and put it on. Willa is enjoying this too much, and wants another happy thought. This time Willoughby picks her up and carries her downstairs to the larder to see the food that is waiting to be made into breakfast. Once again, Willa is pleased, but still wants more. Brother and sister go to look at the toys in the sitting room, and then look out of the window at the night, which Willoughby tells Willa is waiting for the morning.

I will leave you to discover the end of the story, although rest assured, Willa does drift off to sleep quite soon after this.

The story is a lovely one for encouraging an older brother to look after and comfort his sister. It is interesting that at no point in the story does Willa want to go to her Mum or Dad; in fact there is no sign of parents anywhere in the house. Willoughby certainly thinks he is quite capable of convincing Willa how to go to sleep.

The illustrations by Debi Gliori add charm to the story. Willa and Willoughby both have incredibly long, floppy ears, and Willa's jumpsuit is intricately patterned with lettuces and carrots. The rabbits' house is inside a huge tree trunk, and the rather dark interior is brightened up by patchwork quilts in the bedroom and floral wallpaper and curtains in the sitting room. The rabbits have loving smiles on their faces in most of the illustrations.

This should be the perfect bedtime story, unless of course your child wants to emulate Willa and be shown all sorts of things around the house and outside the window before settling down to sleep! I hope this won't be the case.

I don't use this as a bedtime story, but as a book for seven to eight-year-olds that need reading practice. My only criticism here is the choice of the name Willoughby, as this is obviously a very difficult spelling to make sense of. I thought eight-year-old boys might find the story too babyish, but in fact they have enjoyed it.

Amazon are selling the Corgi paperback at £5.99, but there are much lower prices on Amazon Marketplace. I personally have the Red Fox Mini Treasures version, 24 pages, at £1.50.

Mister Magnolia - Quentin Blake

Animals often seem to be the main focus of children's poetry, but Mister Magnolia by Quentin Blake is the story of a poor man who had only one boot:

'He has green parakeets

who pick holes in his suit -

And some very fat owls

who are learning to hoot -

But Mr Magnolia

has only one boot.'

Mister Magnolia may sound like a sorry character, but lacking a boot doesn't seem to stop him having fun. He dances while his two sisters play the flute, takes children for a ride on his scooter, and juggles with fruit at the market stall.

This is a light-hearted piece of narrative poetry that has a happy ending as a little girl presents Mister Magnolia with a parcel that contains another boot. It doesn't match the one he already has, but never mind, it's a boot, and Mister Magnolia is deliriously happy. It might seem like a strange story, but Quentin Blake is of course the genius behind the illustrations to Roald Dahl's books, and he has provided wonderful coloured drawings to his own story here. We are introduced to Mister Magnolia's purple dinosaur, and we see our hero splashing down a water chute and saluting to a parade of mice. There is plenty here to capture the imagination of young children.

There are never more than five lines of text per page, in fact often just one or two. The text is in a clear font that is always on a white background, so there are no problems in deciphering the words. This makes Mister Magnolia a book that could be suitable for young independent readers as well as one for reading aloud. There are one or two challenging words such as 'parakeets' and 'magnificent', but the use of rhyme often helps a reader along, as do illustrations.

The illustrations appear in colour on every page of the book, making it bright and appealing. Although the colours are vivid, they are certainly not lurid as in some contemporary picture books. Blake's use of watercolour gives them a delightful quality.

This is a book that will not take long to read to a child who has a short attention span. The drawings, however, are worth stopping to take a closer look at. In Mister Magnolia's pond, a frog and a newt are dancing together on a lily pad while a toad looks on; a mouse is tickling Mister Magnolia's bare foot with an ear of wheat as a snail creeps away. For any adult looking to make it a more educational experience, there are opportunities for counting or identifying different types of fruit.

Mister Magnolia is definitely worth borrowing from the library before you decide whether you want to buy a copy. As well as the full size book, there is a Mini Treasure version (also published by Red Fox) that measures 5.5 in. x 4 in. At £1.50, it will hardly break the bank. The book is likely to appeal to children aged from three up to perhaps six.

If only we were all so easily pleased as Mister Magnolia, with two odd boots...

Mister Magnolia

by Quentin Blake

Paperback, 32 pages

Red Fox; New Edition 1999

ISBN 0099400421

Price £5.99 (Amazon £4.49)

Just Like You - Jan Fearnley

Jan Fearnley's 'Just Like You' is the delightful story of Mama Mouse and Little Mouse walking home to bed as the sun is setting. On their way they pass five other families of animals that are settling down for the night. Little Mouse notices in each case that one of the parents is telling the babies what they will do to look after them. Everything sounds so impressive that Little Mouse feels that the babies must be very special. Each time Mama Mouse tells her offspring that they are all indeed very special, 'Just like you'.

First they pass under a tree where a mother bird is telling her chicks in the nest that she will fly as high as the clouds and across the sky to find the best food for them. Then they come to a pond where Daddy Frog is settling the froglets under a lily leaf for the night. He promises to jump sky high and find the juiciest bugs for them. Little Mouse doesn't like the idea of the bugs but is still impressed. Further along the way, a mother rabbit and her kittens are basking in the sun's last rays of the day. The mother claims that she will dig the deepest burrow to keep her babies 'safe as treasure' and warm. Little Mouse thinks this sounds like hard work.

Down by the seashore, Mama Seal is singing a lullaby to her one and only pup. She boasts that she will dive deep to find shells, corals and fish for him. The last family that Mama Mouse and Little Mouse see is the family of foxes. Father Fox says he will run so far and fast that he will be able to protect his babies from any danger.

By the time the mice arrive home, Little Mouse is looking very thoughtful. As he gets ready for bed, he wonders what Mama Mouse will do for him, since she can't fly, jump, dig, dive or run. Maybe he is not special? Mama Mouse, however, assures him that she will tell him stories, play with him, feed him, cuddle him and even be extremely cross when he is naughty. Most of all, she will always love and care for him. Little Mouse goes to bed happy, feeling very special, and whispers that Mama Mouse is also very special, just like him.

Fearnley's story is a particularly sweet one for the very young. It is an ideal bedtime story because we see Little Mouse being tucked in bed right at the end, as well as the other animals settling down for the night earlier in the book. It is also an excellent story for introducing a small but varied group of animals that each have their own special skills that young children can learn about. The adult that has read to the child could ask if they can remember which animal can dive, which can jump, or which can run fast. A child might also learn from this book that a baby rabbit, just like a baby cat, is called a kitten, and that a baby seal is a pup.

I have the Mini Book version in which the font used for the text is rather small, but 'Just Like You' is available in a larger format. Some pages have two or three lines of text, some have only one and a few have five, so there is never a huge amount to read before moving on to the next page. The text is often superimposed on the illustrations but always on a light colour, so there is no difficulty in deciphering it. Although this is essentially a book to read aloud, young independent readers might enjoy it too.

Fearnley's accompanying watercolour illustrations are absolutely charming. We see Little Mouse trying to imitate Daddy Frog laughing and leaping, while Mama Mouse watches, hands on hips. A cross section of a warren depicts a mole banging on his ceiling with a broom as a rabbit in the hole above prances around playing on a pipe. On another page, a baby fox rolls in the grass, another is climbing all over his dad, and a third is offering him a poppy. On several pages there are extra little creatures to spot such as butterflies, ladybirds and a squirrel.

'Just Like You' makes a refreshing change from cartoon characters, dinosaurs and aliens should you or your children be growing tired of those. Unless you find a small font to be a problem, it is definitely worth buying the Mini Book for £1.99. The larger format is £5.99 (slightly discounted on Amazon). I would recommend it as a gentle bedtime story for those with a love of animals and the countryside.

George's Marvellous Medicine - Roald Dahl

Any child who has been left to the tender mercies of a difficult elderly relative will immediately identify with Roald Dahl's hero, eight-year-old George. George's family have a farm and there are no friends around to play with at weekends. When his mum goes shopping one Saturday morning, George is left alone with his obnoxious Grandma.

It would be hard to have any feelings of tenderness for George's Grandma. She moans constantly and never has a smile or a kind word for George. Even when he makes her a cup of tea, she grumbles about the sugar and makes a fuss about having a saucer and a teaspoon, even though George has already stirred the tea for her. After criticizing George for growing too fast, she scares the living daylights out of him by suggesting she has magic powers that could make his fingernails drop off and teeth grow there instead.

George rushes off and shuts himself in the kitchen to plan what he might do to 'shake the old woman up a bit'. He has a wonderful idea. He is due to give Grandma a spoonful of her medicine at eleven o'clock, and he decides to concoct a magic medicine to replace her usual one. George bursts into poetry as he hatches his plan. He goes from room to room in the house with a large saucepan, emptying in all the lotions and potions he can lay his hands on, with the exception of those in the forbidden medicine cupboard. George's Marvellous Medicine contains everything from shampoo to floor polish to canary seed. Even the shed and the garage are raided for anything from sheepdip to engine oil. George cooks it all up on the stove and finds himself chanting a magical verse.

The time comes for Grandma to have her spoonful. As soon as she swallows it, she shoots up out of her chair and then comes straight back down again. When she complains that she is on fire, George pours water down her throat. Strange things happen after this, and Grandma ends up several times her normal height with her head sticking up through the roof of the house.

Most boys would be in terrible trouble for causing such commotion but George's dad, being a farmer, wonders if he can use the medicine on his animals to make them super sized too. There might be a problem, however: will George be able to remember exactly what ingredients and in what quantities were in his original Marvellous Medicine? If not, might the medicine have different consequences?

Roald Dahl has created a fantastic tale in 'George's Marvellous Medicine'. Any reader will feel revulsion towards the nasty piece of work that is George's Grandma, and children in particular will sympathize with George's plight at the outset and cheer him on as he concocts his weird and wonderful mixture. Descriptive language and imaginative ideas will delight and entertain readers young and old.

As always, Quentin Blake's illustrations make a distinctive contribution to 'George's Marvellous Medicine'. Grandma certainly resembles a witch, and we see her aghast as she shoots out of her chair, then deformed in various ways as the medicine works its magic. Little George is sketched in the simplest of ways, yet his expression conveys immediately his feelings at different points in the story, whether scared, delighted or amazed.

'George's Marvellous Medicine' is just over a hundred pages long, but the text is set in a large font and there are so many illustrations that the book will not be daunting for a young independent reader. The sentences are on the whole quite short, and there is a fair amount of dialogue to keep a child interested. The longest chapter is about twelve pages, but even then progress is fast because of the number of illustrations.

This is not a story that has to wait until a child is old enough to read it alone, of course. It is a wonderful one to be shared between parents (or grandparents) and their children as a read-aloud book. As it was first published in 1981, some parents may remember it from their own childhood; if not, it will be a hilarious discovery for two generations at a time.

There is, it should be noted, a word of caution at the beginning of the story, warning readers that they should not attempt to concoct George's Marvellous Medicine at home!

George's Marvellous Medicine

Roald Dahl

Puffin Books

Paperback, 128 pages

ISBN 014132273X

Price £5.99 (Amazon £3.89)

Also posted on other sites.

Chocolate Mousse for Greedy Goose - Julia Donaldson and Nick Sharratt

It might seem a strange idea, a band of animals ranging from a gazelle to a moth getting together to have a meal of macaroni and carrots followed by chocolate mousse, but in the realm of children's books anything is possible. Julia Donaldson has in fact created a wonderful book bursting with rhyme, adjectives and the idea of differing personalities in Chocolate Mousse for Greedy Goose. The title is actually based on a line from one of the pages and the alliteration probably makes it the most obvious one to have been chosen.

On each page we meet a different animal, and there is one line of text at the top where the animal makes a comment on the meal they are having, such as 'Carrots – yuck!' says fussy Duck, or 'I'll lick the bowl,' says furry Mole. Most of the animals are described by an adjective: Rabbit is angry (because Goose has grabbed the mousse), whereas Moth is happy (because he can eat the cloth when all the food is gone). After the meal, helpful Pup suggests washing up, but lazy Sheep thinks it would be much nicer to have a sleep. On the final double page we see all sixteen animals snoozing on the sofa under a patchwork quilt.

The idea of all the animals being together is suggested in the illustrations, where on the extreme left-hand side we see part of the animal from the previous page, and on the extreme right-hand side is a little bit of the next animal that is coming up. Nick Sharratt's illustrations are bold and attractive for young children (although I was looking at this book alongside 'Doing the Animal Bop' and didn't find the colour scheme worked quite as well, but perhaps I'm just a fussy duck). I do, however, appreciate the expressions that he has given to the animals according to their different moods and feelings.

For me this is a super book in terms of language, especially the rhyming patterns. The adjectives too contribute a good deal, and it would be interesting to ask a young child why the white Swan is sad or why the Cow is busy. For a slightly older child, you could play a memory game after reading the book, asking which animal was shy or which was fussy, or even how the Moth was described. Because it is so concise and contains so many rhymes, children around the age of four are quite likely to memorize parts of the text or perhaps the whole book. For very young children, it is an excellent way of helping them to learn what various animals look like and it could be interesting as a tie-in with a visit to a zoo. Slightly older children might have fun trying to remember all sixteen animals after the book has been closed.

This is a very short picture book based around a clever idea and presented in an excellent way in terms of both language and illustrations. It could be read aloud to children aged from two upwards. For young independent readers, there are a few tricky words, but the illustrations will of course be a great help in enabling them to work out the names of the animals. I definitely recommend this for children aged between two and five, possibly six, and the Amazon price of £3.49 is excellent value.

Chocolate Mousse for Greedy Goose

by Julia Donaldson and Nick Sharratt

Macmillan Children's Books, 2006

Paperback, 24 pages

ISBN 140502190X

Price £5.99 (£3.59 on Amazon)

The Three Wishes - David Melling

When a king and queen go away for a few days and appoint their knight and his horse as babysitters to the prince and princess, it sounds like an easy task. Soon, however, the knight and his steed find there is too much tidying up to do, and the knight says he would rather fly out into a 'night of surprises' than babysit any longer. The horse is afraid that magic might indeed make them fly out of the window, and it does.

Outside, they land on top of an old lady riding a donkey. Her bag of spells spills, so she offers the knight and his horse three wishes if they can catch the spells for her. This is another task that is not so simple, but they manage it. The grateful old lady and her donkey vanish in a puff of smoke, leaving magic in the air.

Unfortunately, one extremely naughty spell is still on the loose. It teases the poor knight, making plants grow out of his hair. He asks the horse to make a wish, but the horse thinks of himself and asks for a bucket of carrots and some fluffy slippers. The knight says, 'I wish you hadn't done that,' thus squandering the second wish. He and his horse are not pleased with each other, but they agree to make the third wish together. Oh dear, the knight then has carrots growing from the extremely long plants in his hair, along with the fluffy slippers on his feet. The horse ends up wearing the knight's armour but the knight soon gets it back. The horse trims the unruly carrot plants into a neat shape, but they just grow back again. Fortunately, the prince and princess hear all the noise and come out to see what is going on. They simply pull the carrot plants out by the roots and lead the knight and his horse back inside the castle. The next day finds them all busy doing some DIY and happily play acting. Babysitting doesn't seem so bad after all, although the horse secretly wishes he could have those carrots and fluffy slippers again.

'The Three Wishes' is not of course the first story about being granted wishes and wasting them, but David Melling serves up his version with originality and plenty of humour. His illustrations are always a delight. As the story starts, you feel almost as though you are turning the pages of a mediaeval manuscript. At various stages of the book, we see the knight with a banana skin on his head, a carrot tree growing out of his hair, and down on his hands and knees giving the little princess a ride on his back. The colour scheme throughout centres around autumnal greens, oranges and browns, although the old lady wears a blue dress and the princess has a pink nightie. The horse in his various ridiculous situations will be a great source of amusement for any child.

The text is in a large, clear font and usually on a white background. When it is superimposed on an illustration it is always on a light colour to make for easy reading. There are never more than a few lines per page, but occasionally the lines swirl around, following for example the movement of the really naughty spell. This is of course a read-aloud book, but because of the strong element of humour I'm sure that young independent readers would enjoy it too.

'The Three Wishes' is a sequel to Melling's 'The Kiss the Missed' and 'Good Knight, Sleep Tight', both of which are also very popular with three- to four-year-olds. This is a lovely series that most adults will enjoy sharing with young children. I borrowed a copy of 'The Three Wishes' from the library, but I would say that it is worth buying and could make a great Christmas present. If your family hasn't yet enjoyed the magic of David Melling's picture books, I would definitely encourage you to do so.

The Three Wishes

David Melling

Paperback, 32 pages

Hodder Children's Books, 2008

ISBN 9780340931530

Price £5.99 (Amazon £4.49)

The Gruffalo - Julia Donaldson

Although entitled 'The Gruffalo', the star of Julia Donaldson's story is actually a tiny, but very clever little mouse. This mouse seems capable of outwitting any creature in the wood who has designs on making a meal of him.

As mouse takes a stroll through the wood, he meets a fox, an owl and a snake in turn. Each of them invite him back to their lair for either lunch, tea or a feast. Mouse knows full well, however, that they intend to eat him up, so he tells each one that he is meeting a gruffalo for a meal. The other creatures have never heard of a gruffalo of course, so mouse gives them a few details about his appearance to frighten them. Amongst the gruffalo's features are terrible claws, a poisonous wart on the end of his nose, and purple prickles on his back. When each animal is sufficiently scared, the mouse says what the gruffalo's favourite food is. It is not always the same, according to mouse: to fox he says it is roasted fox, to owl he says owl ice cream, and to snake he says scrambled snake. Each time this produces the desired effect of making the animal in question flee and leave little mouse alone.

As mouse continues his stroll, however, he comes face to face with the gruffalo! He is initially panic stricken, but when the gruffalo says the mouse is his favourite food, it doesn't take our tiny hero long to come up with a plan. He tells the gruffalo that everyone is terrified of mouse, and that he can prove it if the gruffalo would care to walk behind him through the wood. The gruffalo, apparently not the brightest creature, is completely taken in and follows mouse back through the wood. When they encounter snake, owl and fox, each one is alarmed by the sight of the gruffalo and disappears in a flash. The gruffalo is convinced that they are afraid of mouse. When mouse eventually announces that his favourite food is gruffalo crumble, the gruffalo cannot get away fast enough. Mouse is all by himself in the wood, having escaped his enemies, and he finds a great big nut to eat.

The charm of 'The Gruffalo' is not just in the story itself but in the delightful verse that Julia Donaldson has used as a means of imparting it to her readers. Almost the entire tale unfolds in rhyming couplets with a strong rhythm that is particularly well suited to reading aloud. As well as alliteration, there is plenty of repetition of phrases used each time mouse meets a different animal. Young children will find it easy to join in here and there as they get used to hearing the same line every so often. The font is very clear; although there is some use of italics, most of the text is printed on a white background to allow for easy reading. There are just a couple of instances where the text is on a yellow-orange background.

Axel Scheffler has provided wonderful illustrations for the story. There are several double-page spreads, including the one where an astonished mouse encounters the fearsome gruffalo, and three full-page pictures. The remaining pages have smaller illustrations, but all are in full colour. Young children will find the expressions of the animals delightful. As well as the main characters, there are a woodpecker, a kingfisher, a frog, a squirrel, a dragonfly and others to look out for.

'The Gruffalo' is intended mainly as a read-aloud picture book for children of three upwards, but could also be suitable for young independent readers. The vocabulary is varied but not too challenging, and the repeated phrases will encourage those who still lack confidence. Although the gruffalo is a large, scary animal, Scheffler depicts him in such an appealing way that young children are unlikely to be genuinely frightened by him. It might, even so, be advisable to read this during daylight hours rather than introducing it as a bedtime story.

Julia Donald has created a masterpiece of a story in 'The Gruffalo', and the book was winner of the Smarties Book Prize Gold Award for children aged 0-5 in 1999. Axel Scheffler has obviously played an important part in the success of this picture book as well. 'The Gruffalo' is a must in any household with young children, as it is likely to appeal equally well to boys and girls. Preschool classrooms are sure to have a copy for reading aloud as well as to provide inspiration for drama sessions. Highly recommended.

The Gruffalo

Julia Donaldson (author), Axel Scheffler (illustrator)

Macmillan 1999

Paperback, 32 pages

ISBN 0333710932

Price £5.99 (Amazon £3.59)